BobF
After reading these, I decided that for the money I'm willing to spend on converters, 48K is plenty good for me. The first references the second.
http://www.trustmeimascientist.com/2013/02/04/the-science-of-sample-rates-when-higher-is-better-and-when-it-isnt/
http://lavryengineering.com/pdfs/lavry-sampling-theory.pdf
Those references are great, thanks for that. I think the first one is one of the most balanced and rational discussions of the subject I've seen, although that just might be because I agree
The only place I disagree a little bit is where he minimizes the number of plug-ins that don't have oversampling. That's true for newer plug-ins, but a lot of older ones (that are still compatible with our computers) don't have oversampling.
After reading these, I decided that for the money I'm willing to spend on converters, 48K is plenty good for me.
Unless you do a ton of stuff in the box with non-oversampled plug-ins, I can pretty much guarantee you wouldn't hear any difference between recording at 48 and 96 kHz. And even if you do have to stick an older plug-in into your 48 kHz project, as detailed previously you can always record a track at a higher sample rate, export it, and bring it into your 48 kHz project yet still retain the benefits of the higher sample rate.