As to the OP I actually have been trying to do some tone matching lately and generally attempting to get a better feel for the ridiculous amount of models in TH2. It's hard because they use wacky code names and semi vague descriptions for a lot of it I guess to avoid copyright infringement. However I was poking around their website and found that the list for their older lite version (THM) comes right out and names the actual amps being modeled. Looking at the THM list it looks very similar to what is included with TH2 Producer but perhaps with a few more or less items. Here is a link....
THM (Lite) emulation list And here is the list of everything included in the full version of TH2. Unfortunately they don't use brand names on this one except for the emulations that are actually licensed (Randall, Brunetti, etc) but you can easily cross reference with the THM list...
TH2 Full Version emulation list aaaaand because I like to keep things like this around locally with all my manuals and notes (I keep my DAW offline and I'm worried they may change/remove the lists) I copied those lists into a notepad doc so I'll post it here (sorry if the formatting goes wonky. You'll see there is just a whole buttload more stuff in the full version.
At the top is the list for THM then after the double line is the list for TH2 full version....
THM Model List
AMPLIFIERS
Darkface '65 (US): Fender® Twin Amp '65
Rock '64 (UK): Marshall® JTM45
SloDrive (US): Soldano® X88R Crunch
Rock 900 (UK) Clean: Marshall® JCM900 Clean
Rock 900 (UK) Dist: Marshallhall® JCM900 Dist
Modern (US) CH1: MesaBoogie® Dual Rectifier Clean
Modern (US) CH2: MesaBoogie® Dual Rectifier Crunch
Modern (US) CH3: MesaBoogie® Dual Rectifier Lead
Top30 (UK): Vox® AC30
Heavy 51 (US): Peavey® 5150
CABINETS
1x12 Clst (UK): Marshall® 1974CX
2x12 OB Darkface '65 (US): Fender® Twin '65
2x12 OB Top 30 (UK): Vox® AC30 TopBoost Brian May
4x10 OB Tweed '59 (US): Fender® Super Reverb
4x12 Green (UK): Marshall® JCM800
4x12 Vintage (UK): Marshall® 1960
4x12 Heavy 51 (US): Peavey® 5150
4x12 Modern (US): Mesa® Rectifier Standard
PEDALS
TubeNine: Ibanez® Tube Screamer
BeeDeeToo: Boss® BD-2
Distort+: MXR Distortion+
MetalTone: Boss® MT-2 Metal Zone
CHR-5: Boss® CE-5
Wave Flanger: Overloud® Flanger
Chorus Phaser: Overloud® Chorus Phaser
DDelay: Boss® DD-3
Noise Gate: Overloud® Noise Gate
Tremolo: Boss® TR-2
RSS Compressor: ROSS® Compressor
Auto Wah: Mu-tron® III
Env Filter: Boss® FT-2
RACK EFFECTS
Reverb: Overloud® BREVERB Plate
Pattern Delay: TC Electronic® TC 2290
CHR-5: Boss® CE-5
Digital Phaser: Overloud® Digital Phaser
Wave Flanger: Overloud® Wave Flanger
Tremolo: Boss® TR-2
Auto Wah: Mu-tron® III
Param EQ: Overloud® Full Parametric EQ Band
MICROPHONES
Austria Gold 414: AKG® 414
Austria 451: AKG® C-451
TechJapan 4033: Audio Technica® AT 4033
GermanFet 87: Neumann® U87
RadioElectro 16: Electro-Voice® RE20
Square 421: Shenneiser® MD 421
American 57: Shure® SM57
American 58: Shure® SM58
============================================================================================
TH2 Model List
Amplifier Model List
Amplifier Ch. Modes Notes
Bassface '59 (US) 1 1 Model of a classic american 4x10" "bass" combo amp, tuned to be great for rhythm
and blues playing on guitar once overdriven
Darkface '65 (US) 1 2 Model of a classic american 2x12" amp with very clean sound
Top30 (UK) 2 2 Model of a classic 2x12" UK combo with 'blue' speakers - the amp of choice of many
great guitarists in the last 40 years or so: The Beatles, U2, Queen used
them frequently
Rock '64 (UK) 1 1 The Bassface made it to the UK, and a great engineer turned it into the amp of
choice for the UK rock-revolution
Rock '75 (UK) 1 1 An early 1970s model of the 800 classics
Rock 900 (UK) 2 2 Model of the UK rock sound from the 90s
Modern (US) 3 8 Model of the tube/diode rectifier US amp which started the NuMetal wave and is used
in many other styles too
SloDrive (US) 3 3 Model of the first 3 channel hi-gain preamp, once model of choice for guitarists
like Steve Lukather as well as many others
HeaVy51 (US) 2 2 Model of the first classic commercial Eddie amp
Overloud Custom (US) 3 9 An Overloud interpretation of a famous californian boutique ecstatic amp
Tumble ODS 2 5 Model of a special Overdrive amp made in Los Angeles in the '70s
Randall T2 3 3 Authorized modeling of the Randall® T2 head. This model prodices produces an
extremely powerful, punishing tone, powered by the "Valve-Dynamic®" technology.
Randall MrScary 1 2 Authorized modeling of the George Lynch signature Randall MTS® module.
Randall Threadplate 1 2 Authorized modeling of the Randall Threadplate MTS® module into the Lynch Box head.
Randall AC+ 1 2 Authorized modeling of the Randall AC plus MTS® module into the Lynch Box head.
Randall SuperV 1 2 Authorized modeling of the Randall Super V MTS® module into the Lynch Box head.
Randall Grail 1 2 Authorized modeling of the Randall Grail MTS module into the Lynch Box head.
Randall Plexi 1 2 Authorized modeling of the Randall Plexi MTS® module into the Lynch Box head.
Randall Tweed 1 2 Authorized modeling of the Randall Tweed MTS® module into the Lynch Box head.
Randall XTC 1 2 Authorized modeling of the Randall XTC MTS® module into the Lynch Box head.
Randall Ultra 1 2 Authorized modeling of the Randall Ultra MTS® module into the Lynch Box head.
Randall Ultra XL 1 2 Authorized modeling of the Randall Ultra XL MTS® module into the Lynch Box head.
Randall Clean 1 2 Authorized modeling of the Randall Clean MTS® module into the Lynch Box head.
Randall BlackFace 1 2 Authorized modeling of the Randall BlackFace MTS® module into the Lynch Box head.
Randall SL+ 1 2 Authorized modeling of the Randall SL+ MTS® module into the Lynch Box head.
Brunetti Mercury 2 4 Authorized modeling of the Brunetti Mercury head, giving you that elegant and
evasive liquid metal sound.
Brunetti R-evo 3 6 Authorized modeling of the Brunetti R-evo® head, the evolution of the XL
masterpiece.
THD Univalve 1 16 Authorized modeling of the THD Univalve® Single-Ended Class A amplifier.
THD Flexi 50 1 32 Authorized modeling of the THD Flexi® 50W head.
High Wattage 1 2 Model of a Custom 100W amp made in England back in the 1974.
Total: 30 45 125
Cabinet Model List (29)
- 1x10" Studio (US)
- 1x12" OB Wanted (US)
- 1x12" Clst (UK)
- 1x12" OB Custom (US)
- 1x12" GK (US)
- 1x12" Bluelux (US)
- Brunetti® 1x12"
- 2x10" OB Vibro (US)
- 2x10" OB Prince (US)
- 2x10" OB Eastern (JP)
- 2x12" OB Darkface '65 (US)
- 2x12" OB Top30 (UK)
- 2x12" OB Green (UK)
- 2x12" Lane (UK)
- 2x12" Slo12000 (US)
- Randall® 2x12" CB
- Brunetti® 2x12"
- 4x10" OB Tweed '59 (US)
- 4x12" Vintage (UK)
- 4x12" Green (UK)
- 4x12" HiPower (UK)
- 4x12" Modern (US)
- 4x12" Dutch (NL)
- 4x12" England (UK)
- 4x12" HeaVy51 (US)
- Randall® 4x12" XL
- Randall® 4x12" XLT 100
- Randall® 4x12" LB George Lynch
- Brunetti® 4x12" Custom
OB = Open Back
Mic Model List (18)
- AustriaGold414 (C)
- AustriaSilver414 (C)
- AustriaTube12 (C)
- TechJapan4033 (C)
- Cool4038 (R)
- RadioElectro16 (D)
- TubeMicD1 (C)
- German84 (C)
- GermanTube47 (C)
- GermanFet87 (C)
- Australian1 (C)
- California121 (R)
- Square609 (D)
- Square421 (D)
- American52 (D)
- American57 (D)
- American58 (D)
- American81 (C)
C = Condenser
D = Dynamic
R = Ribbon
Effects - Modules
___ Overdrive:
S BeeDeeToo Bluesy, vintage tube amp tone from the japanese stomp-box maker
S TubeNine This is THE standard screaming overdrive green peda
S SDriveOne The classic, japanese, yellow overdrive pedal
S Diode250 The american classic, overdrive preamp model
S Taxi Drive Authorized modeling of the Brunetti TaxiDrive® overdrive pedal.
Distortion:
S Distort+ This pedal is perhaps best known for its crunchy heavy metal sound that was featured by Randy
Rhoads in his work with Ozzy Osbourne
S TheCat The mighty 'mouse' pedal
S MetalTone The classic japanese metal stomp-box
S Diode69 Modeled after the flannel-shirt wearers who defined the 90s sound
S DistOne The classic japanese distortion pedal
S FatMuff First introduced in the early 1970s and was used by artists including David Gilmour and Carlos
Santana. Said to be designed after Jimi Hendrix sound.
S Mercury Box Authorized modeling of the Brunetti Mercury Box® distortion pedal
Fuzz:
S FussRace The circular shaped fuzz box - originally from 1966. This was used by Jimi Hendrix.
S TuneFox Played by artists ranging from ZZ Top to Adrian Belew, Parliament-Funkadelic to Peter Frampton
S Fuzzblend Built with germanium transistors, this UK pedal had bold fuzz and maximum sustain.
Chorus:
S Digital A model of one of the best digital chorus stomps around
R Comb Chorus Comb-filtered Chorus
R Wave Chorus Allows the selection of the kind of waveform modulating the signal
R Filter Chorus Filtered, colored chorus
S Ensemble Ensemble emulation from a famous string synthesizer
S CHR-2 The first chorus pedal for the japanese maker - here also in stereo
S CHR-5 The modern japanese chorus sound
S Dimension A magical japanese 4 preset-chorus effect
Delay:
R Digital Delay A very clean sounding digital delay
R Tape Delay A model of tape delays, dark and fluttering as needed
R Swept Delay Sometimes referred to as Modulation/Delay
R Filter Delay Filtered delays for rich soundscapes
R Pattern Delay Choose among a large number of rhythmic patterns for trippy delays
R Comb Delay Sounds like an EQ, it's a delay in fact
R Spatial Delay Use it to create sense of space in a mono signal, or to control width and thickness of sound
S D-Delay A model of modern digital stomp-box delays
Compressor:
R VCA Comp Model of the classic VCA compressor from the inventors of the Voltage Controlled Amplifier IC
S RSS Comp Model of a classic compressor stomp-box
R VariMu Comp Model of a very famous Variable Mu, tube based compressor
Equalizer:
R Parametric EQ Clean, precise parametric EQ with hi/lo pass and shelving capabilities
S 7-Band GEQ The classic 7-bands stomp-box equalizer
S Amp EQ 5 bands of pure californian 'mark' sound
Flanger:
R Comb Flanger Comb-filtered flanger effect
R Wave Flanger Flanger with waveform selection
R Filter Flanger Filtered flanger sound
S Analog Flanger Inspired by a couple of the best analog flangers around
S Mild Flanger Posh, Classy flanger tone
S Rich Flanger Heavily modulated and colorful flanger
Phaser:
R Digital Phaser The name says it all - modulatable parameters
S Chorus-Phaser Also here, the name says it all
S OBH Phaser Modeled after the "master" of all phasers as conceived by synth guru T.O.
S 9-o-Phsr The classic stomp-box phaser sound as heard on many early Eddie's hits
Pitch:
R Pitch Shift A no-frills pitch shifter
S Octaver A better-than-the-original (tracks better the input pitch) model of a classic brown stomb box
Reverb
R Spring Reverb Model of a classic spring reverb used in american amplifiers.
R Reverb Hall Model of a digital hall reverb from the 80s - warm and rich
R Reverb Plate Model of a digital plate reverb from the 80s - dense and platey
R Reverb Room Model of a digital room reverb from the 80s - lush and thick
R Reverb Inverse Good to emulate that backwards sound
S D-Reverb A digital reverb stomp-box
Tremolo:
S AmpTrem Extended model of classic amplifier tremolo/vibrato - featues choice of waveform, modern or analog
modeled
Vibrato:
S JC Vibrato Comes from a japanese transistor jazz guitar amp
S UniVibrato Got that vibe! Chorus/Vibrato sound
Wah:
R Mu-Wah Totally configurable 'wah' effect with different filter models
P Crying Wah The classic wah sound
P Rock Wah UK wah - both the vintage and reissue models (switch)
S Auto Wah Automatic (input driven) wah with low-pass, band and hi-pass modes
Other:
P Volume Pedal Well... what else? It's got a setting for the minimum volume position
S AcGtrSimul Acoustic guitar emulator
R Looper A 32 track stereo looper for realtime recording and overdubbing your loops
Noise Reduction:
S Gate Expander A dual effect, both a gate and and expander with indipendent parameters
Cabinet:
Cabinet Based on ReSPiRe 2 technology, quad mic mixer, with rear and 45° mics.
Cabinet IR Loads up to two Impulse Responses. Choose from the included set of IRs or import from any impulse
response library. Microdelay, filters, phase and balance controls for extended sound-sculpting
possibilities.
TH1 Cabinet Dual mic choice (see list of cabs and list of mics in a separate table), balance, filters and phase
switch.
Amp:
Amp Amp module hosting all amplifiers in TH2. Features SLR morphing and VariFire technology.
Amp + Cab Loads an amp followed by a cabinet: matching is turned on by default
R Saint Amp Emulates a classic amp+cab in a pedal.
TOTAL 71 Modules
R = Rack | S = Stomp Box | P = Pedal/Expression