I've been watching demos at CES to people interested in SONAR. They generally come with no preconceptions, except familiarity with other DAWs.
Many features I've taken for granted are revelations to these people. Some flip out because inserting an instrument simply involves dragging a plug-in from the browser to the track view. For others, Auto-Zoom is a "why doesn't every DAW do that?" feature.
On balance any piece of software is not about attaining perfection, but about prioritizing tradeoffs. You simply can't have everything you want in the first tier of accessibility. Everyone's needs will be different, so you have to predict which features are so needed by so many people they should have priority access, and which ones can be three or four clicks away and no one will get too bent out of shape. Then there are the compromises, like how much the smart tool can do depending on its position, and whether you're using modifier keys.
SONAR has all the gear that a quarter million dollar studio had not that long ago. No one expected to walk into Record Plant and run a session all by themselves with everything a patch cord away, yet those expectations influence how people expect to use a DAW.
I've always said the key to transitioning from SONAR 8.5 to SONAR X-series is less about learning X-series and more about unlearning 8.5. Of all the DAWs out there, Cakewalk has chosen priorities that come very, very close to my priorities, which revolve around songwriting, audio for video, narration, and of course recording songs. So, there's a "match" and I'm very happy using SONAR.