I use Kontakt a bunch, and due to its multi-timbral capabilities (I can load up multiple separate instruments into a single Kontakt instance), I just always use separate audio and midi tracks.
Track folders help me minimize the extra real estate chewed up by the additional tracks, as well, so it isn't bad.
Lastly, for some keyboard sounds, usually an organ, I will often have a separate left and right audio track, and will put a slight delay on one side of the signal, which acts as a really nice widener. The technique is credited to a German guy from I think the 1930's, but I can never remember his name - I always end up calling him Hasenpfeffer (German for rabbit stew).
Bob Bone