Anderton
mixmkr
Am I alone in this thinking?
I hope not, I think you make a lot of sense. I have a select repertoire of proven plug-ins and leave it at that. I also think limiting the number of plug-ins helps stability.
True story: When Sound on Sound magazine did one of their "Mix Rescue" features, the person who did the recording went and got tea for the SOS crew. They started the way they usually do, by bypassing the plug-ins to get a sense of the tracks themselves. When the host returned to the studio, he was taken aback. "What did you do? It sounds great!"
SOS says this has happened more than once...
Great topic, by the way.
This happens to me all the time. I'll be going around in circles in a mix trying to get tracks to sit together nice, ending up with these ridiculous chains (multiple compressors/EQ's on each track, as well as tape emulators, modulation, stereo narrowing/widening, distortion, amp/cab sims, multiple layers of reverb) and eventually I end up thinking nothing is going to work. So I turn everything off and hit play....and it sounds great with everything sitting in it's own space and working together.
I don't mind having a lot of plugins though and I never "spring clean." There are loads that I never use but I keep them just in case - you never know when they're going to come in useful. Like recently I was having trouble with an (intentionally) lo-fi drum track that needed a bit of sparkle, and I'd tried all my usual avenues without success. Finally I ended up loading Native Instruments Driver plugin, which was a freebie I'd never used. It worked perfectly.
With synths I think a lot of people forget how much processing they can do "on board" without even loading a plugin. If a synth has onboard EQ, compression, chorus etc then I'll try and do as much with those as possible before using track effects. You just have to remember to save the preset in case anything goes wrong.
Some VSTi's have such good effects that you rarely need to load a plugin. For instance I often have 5 or 6 drum engines running in Geist without using a single external effect or sending the drums to their own tracks - Geist's effects are so good I can do absolutely everything in there and just have each engine output to it's own bare stereo track. Heck I even arrange all the drums in there, no need for any MIDI.