This is not nearly the quality of an Anderton tip which is why it got bumped to the 27th of August. I am certainly not an expert and don't pretend to be, but I found this helpful and it may work for you.
**Send everything to buses.** For example, here are the buses in the project currently on my screen:
Master
Lead Vocals
Harmonies
Bass <<Even though there is only one bass
Drums
Guitars
Keyboards <<Sometimes one and sometimes several. If I have a pad, I put it here.
Strings << Sometimes this is orchestra or other sweetening
Sound Effects
Vocal Reverb
Drum Reverb
Instrument Reverb
Except for the master and the reverbs, there are track folders corresponding the the buses and in the same order.
I do the various fades and changes within the individual tracks. If I need to raise or lower the overall level, I just adjust one node for each bus. I can also put an effect on a bus instead of on every track.
In the case of the bass, I could have slight fader movements to bring out a line, but even if I don't, it is easier to have everything in buses so I'm not jumping around when adjusting levels.
By the way, sometimes Metronome shows up as a bus and sometimes it doesn't. I don't care, but I am curious why.
Regarding the order: It doesn't matter but I usually put the bass folder right above the drums with the kick in the top of the drum folder. That way they are right next to each other since the first thing I do in a mix is work on the kick and bass together.