Jarsve,
Great thread, and hits some important points as we get our egos ground into the dirt listening to some kid who is way technically beyond where we will ever be.
Hard NOT to compare ourselves with other guitarists, something we seem to get dragged into once we commit to the axe. Some artists like Steve Miller say they never listen to any other guitarist to keep them on track of what they are doing.
Pianist Horowitz did live concerts and young pianists actually went out and committed suicide over the depression that for all their work and sacrifice, they would never be as good.
There is as you say a certain amount of experience or something that comes with the ages. You can’t really sing the blues until you have lived the blues. The young lady is fantastic enough to get me depressed as well with the flawless gymnastics, but there are some motifs that lack a sense of maturity or reality. There because they can be played but something missing for awhile.
I came from a blood line of accomplished classical pianists. My training started late at 7 years old, but was harsh, brutal to catch up with lost time. Hours of daily practice. Could knock off anything Chopin or Rachmaninov could play. Trained monkey for the delight of guests. Always ready to dazzle.
Something however broke the connection and gets to the question of where are they now. We have long known that too many of the Julliard child prodigies end up forked up soon in life and lose their savant abilities from the artificial overkill.
Me, I can barely drool on a keyboard now. Big fall from grace and don’t have any idea how it happened.
Thanks Jarsve for opening this dialog.
John