ORIGINAL: barthowk
Mod Bod,
It looks like your project is similar to what mine will be. I have 3 questions if you don't mind.
1) My cousin works for a lumber company and I will be able to get a lot of materials really cheap. The problem is I know next to nothing about building stuff. Plus, I'll be starting new a new job as an attorney (just graduated law school), and am afraid that, due to both my time limitations and ignorance, if I had to do this stuff, it would take me 20 years.
How much do you estimate for contracting out?
2) What is the point of an isolated drum booth? Is it just so that you can record drums at the same time as other instruments? Wouldn't recording drums in your bigger recording room sound better?
3) In response to your comment to use a bigger room for the control room, isn't it generally important to have the recording room as big as possible for sound quality purposes?
Thanks!
Let me ask you this. Could you do a barter offer for some local contractor? Maybe a little contract work on the side.
It's hard for me to estimate what it would cost for labor. I'm not a carpenter but my plastics fabrication skills and my ability to research DIY sites were enough. I can say this. There is a
lot of 5/8 drywall and 3" rock wool in those walls. I wouldn't be surprised if I wouldn'd have to pay $30,000.00 to $45,000.00 for the build out including the AC if I was hiring someone else to to the build. I imagine that the design work would cost 2-3k.
2) Yes the booth is for drums and it's mainly for my sanity. I also use the space for band rehearsal and having the drummer tucked a bit away is nice.
3) A large live room is wonderful for the sound of instruments but since you've already aluded to your lack of time, I will venture a guess that you won't be doing a whole lot of band recording. I find I spend most of my time alone or with one musician and a guest. Also the size of a control is very, very important for making decisions in mixing. Having the boundaries of the room far enough away from the mix position gives your brain cues that allow it to determine what sound is your mixing space and what sound is your recording. It keeps you from having to overly deaden the room.
Don't get caught up in trying to make your space a small version of a large studio. You'll probably just be chasing a pipe dream. I'm no expert at recording live drums but my last tune is using live drums in my booth. I've also had great results by hiring Frank at Live Studio Drums (www.lsd.com) to do my track. Anyway, you can judge for yourself by this recording if it is good enough for a weekend warrior's purpose. There's also room in my control room for some musicians to go direct or into amp modeling boxes.