Thanks Mesh, yep I've worked very hard on my production, mixing and mastering skills and indeed my visual design skills. I upgraded all of my plugs last year and now have about 30 Waves plugs that can replicate nearly any studio sound. This piece I used a TG12345 or Abbey Road sound. I must admit that I buried the vox a bit, because I don't have a proper mic...I just used an 80 dollar Peavy which only had a cardioid pattern. I can sing so much better than that. Also, the sound has a lot to do with Sonar ;), I firmly believe that Sonar's 64bitfp mix engine and indeed the ability to record 64bitfp audio files is the one of the more important elements in achieving the sound I now can get. When I discovered this last year, I was only using 32bitfp, and what I heard was low end cloud and distortion...at 64bitfp - all of this disappeared.
Anyway thanks for listening Mesh and u2 Kakku for my next trick - I'm working on a Nights in White Satin cover and the ultimate test Bohemian Rhapsody, which I've got my eye on a model of The Colosseum as the back drop :). I've also got two more sonatas ready to go, with one having the theme of 70s Incredible Hulk and 'You wouldn't like me when I'm angry' lol. I found this great model on Blendswap - it writes itself from there.
Ben