I want to use a technique called Parallel Compression on my drum tracks. Parallel Compression is when you take a track, duplicate it, compress one of the tracks really hard and blend it with the original. I've sent all the outputs to my drum bus. Here is where I'm not sure what to do next. Apparently from the video I watched, you set up an aux track to receive the bus, set up another aux to receive the same bus and compress that one. How can I do this using Sonar? I think the tutorial was for pro tools so the procedure may not be quite the same. Thanks for any possible help!  

I've found this post relating to my topic. http://forum.cakewalk.com/fb.ashx?m=2277822 I was searching for Mono Buss and came across it. Did a search earlier before I posted and came up with nothing. Anyhow, maybe this will help others too. :)  

I just put "parallel compression in sonar" here are the top 3 hits
video http://www.youtube.com/watch?v=ZalApzev5zo
video http://www.youtube.com/watch?v=OlfbY-NsIYs
CW blog http://blog.cakewalk.com/...-compression-in-sonar/
HTH

The easiest way to do it is to use a compressor that features a wet/dry mix knob. No bussing required. Unfortunately, if all you have at your disposal is the Sonitus compressor, it lacks this feature so you'll have to use a parallel bus. There are, however, several cheap/free compressors out there that do offer a mix control.

Check this article out:

http://blog.cakewalk.com/parallel-compression-in-sonar/#more-8654

Must have missed that same link in my post above huh.

Nevermind, I figured it out.

I tried the technique in the blog post but I was still getting my original tracks in the mix. That was because they were being sent to the master. When I changed their output to my buses, I got the intended effect.

Thanks

yep.  ;-)

Thanks for the helpful tips! Now I understand how it's done.

If a plugin does feature a wet/dry mix control there are a few things you need to keep in mind. One is that the make up gain control on the compressor only effects the compressed side of that control not the dry signal. So it is important to get the level correct from the dry side first perhaps start with the control set all the way over to dry and get the signal at that point correct level wise.

You now need to set that control perhaps in the middle and adjust the make up gain so you start hearing the compressed side of the sound about the same level as the dry side.

You can have it very geared over towards the wet signal and just add a hint of the dry transients. Or another way to use it is to have it over mainly to the dry side and just add a hint in of the compressed sound. There is no correct way, it just requires you to decide if you want a very compressed sound with a hint of dry or a very dry sound with a hint of the heavy compression. Also it is good to experiment with the compression settings too. Sometime more violent compression works best if you are just adding a little of this to a mainly dry sound. Too relaxed compression may not do much when used in parallel mode.

And sometimes you start out thinking you are going to do parallel compression on say the drum buss for example but in the end you end up just using the compressed side only. Whatever sounds best in context remember.