togo
All of the above here, too, though the conventional wisdom on the internet seems to be that presets should only be used as a starting point. I don't really buy that. My impression is that advice comes from pride, but I also think it's meant to discourage people from becoming too reliant on presets.
I think it is mainly a warning because source material can be so wildly different that a preset made for one source will often not be the optimum setting for another. That doesn't mean it can't work. But if someone created, say, a "kick drum" EQ preset editing out some 400Hz and giving it some extra boom around 60Hz and some slap around 2500Hz that might be a decent starting point, but my kick might not be so boxy around 400, or my mic placement might already catch a lot of 2500Hz slap, etc.
This can be quite different for, say, a chorus preset, or even "balls to the wall" drum room compression. As long as you're roughly aware of why the settings are made the way they are, it's perfectly fine to use a preset as is, although logic dictates by that point you would need it less.