Thanks Starise, but no need to apologize as no offense was taken. And yes indeed I believe SONAR has WAY more then enough to suit anyone's personal workflow needs from capturing live musicians and tracking audio/MIDI performances, to loop and groove based genre specific sequence composition and everything in between to the point of actually offering way too much for any one user too even get a grip on all of it.
Which I might add is utterly impractical if not impossible to do with a 30 day free trial
I'd go as far as to say that I haven't found much or anything that couldn't be done in SONAR, I just had to go about doing it differently.
And this I believe was the OP's main problem, he expected SONAR to have silver bullets included to make it behave the way HE wanted it to, with all the controls, buttons, and levers in all the same places which was exactly like FL.
Most likely one of those who say stuff like; "HELP FILES! I don't needs no stink'in Help Files.
Now I was never one who was even comfortable working with prerecord rhythm patterns
It didn't take me long to figure out a MUCH easier and smoother way to work with ACID loops in SONAR then it is with ACID Pro, and combining and using Cakewalk's MIDI Groove Clips makes SONAR seem like ACID on STERIODS with a turbo charged engine with overhead cam and glass packs.
What typically takes hours to arrange and edit in ACID takes minutes to do in SONAR, and you can easily shave off many more minutes from that just with SONAR's ProChannel.
I tried to convince many of my ACID/artist/collaborators who were blown away with the speed, efficiency, and superior sound quality I was achieving to try the 30 day SONAR trial, and I would not only walk them through it, I offered a custom mixed SONAR project of a song we were already collaborating on in ACID Pro.
Only 2 out of 10 jumped on the offer, no one else would even budge and only one purchased SONAR, and eventually went back to using ACID after about a year because he wasn't happy at all with support, and because of overly complicated patching and routing issues he had to go though every time he added a track.
A problem which still exists today, even with all the offered templates, all of which miss the mark on basic I/O assignments, though most of us here most likely are so used to it we don't really notice it anymore.
Now I know the bakers are all so busy what with getting SONAR to run right on a Mac and all, but............. Ummm..... Well, I don't mean to be disrespectful but my money says that that will prove to be an enormous waste of time and money.
Does anyone, and I mean ANYONE really believe that they can win over and change the minds of a Pro Tools or Logic Pro user to jump ship?
Does anyone, and I mean ANYONE really believe Apple will even continue making and developing desktop or even laptop computers long enough for Cakewalk to even attract new Mac Head users that don't automatically [and correctly] assume that Pro Tools or Logic Pro are the ONLY true professional choices for a most powerful, smooth, and reliable workflow?
Oh BTW, Logic Pro is the SONAR of the Mac Head World, and it is a VERY SERIOUSLY SERIOUS CONTENDER!
It is also the hands down winner of the lowest latency with Focusrite Scarlett Gen 2 interfaces. An astonishing 1.7 ms @ 24/96 ROUNDTRIP with USB 2 which easily supports routing and running VST audio plugins as channel inserts or Aux. in real time audio recording with undetectable latency.
2x-3x lower latency then I register with SONAR which would still be low enough to be great IF SONAR supported running VST audio plugins in real time, which it doesn't.
It's things like these we notice when and if we ever leave the SONAR Bubble.
Sorry boyz and girlz, as much as I love SONAR, it is not the best, nor will it ever be offering it to Mac Heads that been picking on it for the past 20 years or so. LoL