Was about to write what Craig wrote. I reduce vibrato all the time.
Interestingly, a lot of people who say they hate pitch correction software tell me they are glad to hear that I get good vocals without it. I actually examine and touch every note: not because they are horribly out of tune, but because I want a specific sound that requires nudging pitches and times. And, of course, if something is out of tune, I fix it.
I can fix a vocal take with a good feel and bad tuning way faster than I can re-cut it trying to get a perfect take with the right feel. For example:
Years ago, a Texas rockabilly singer you may recognize by his pale skin and sunglasses would record with me and we'd fill half the tracks on a 2-inch 24-track machine with vocal takes so he could go through them over and over again picking out the phrases that were best to piece together. Thank God for Melodyne.