Well, you're right, I'm only an "engineer" when I absolutely, absolutely have to be, and otherwise not. I am a lone guitarist still struggling with Flamenco technique, trying to get good takes of falsetas (riffs) down before a truck hits me. My Academy, written in the late '60s, early 70s while desperately trying to struggle for survival (with help from friends who bought my initial course lessons) was done with typewriter, reel2reel, splicing tape, etc.. But I did get it out, because there was an awful lot of confusion about Flamenco rhythms at the time, even though it was a niche market not yet swamped by technology. (I am not Gitano, or even Spanish, and was fighting family, getting thru UCSB with some marketable skill so I could move to Denmark or Canada - this was the 60s, and my family were Republicans, and I had just been arrested in the Free Speech Movement (I was taking physics at the time at UCB)...
Anyway, what I really need is very simple (uh, like practice), and a way of easily being able to edit takes. I jumped into X3 because of the comping (well, ok, some customer loyalty, since I have been with Cakewalk from practically the beginning - what did they start out as? I forget...), but have also been very interested in the technical progress in electronic music, although I actually like very little of it (I got left behind after "Flashdance".. :). I am NOT a DJ.... and am not rich, and will never need motorized faders, since I don't have the money to consort with all the pretty wannabe singers in their early 20's.. In a recording studio in one of the guest houses of my mansion .. :)
After working through the options in my latest brush with audio technology, I'm finding that the Tranzport and trackball (mouse when I really want to be precise) will probably be just fine (I'm really happy I found it again) - to get the audio over to Live in clips...
(I am NOT dissing engineers, by the way. I had an experience in 1972 when my wife and I were asked to do a program for CBC in Montreal. I played guitar, and listened to the recording in the booth - it sounded AWFUL. But when we listened to the program broadcast that evening, it sounded GREAT! So I spent the next decade trying to figure out WTF the engineers did with that sound, and of course couldn't afford any of the equipment.
The only thing that made sense at the time was when I was in Moron de la Frontera (Spain) with Diego del Gastor and family and other half-crazed foreigners (1968-69), and all we had were really cheap cassette recorders (which had just come out). They all had AGC, but when played back, gave a great, if inconsistent, overdriven sound to the guitar, an effect which appeared on a lot of guitar at the time from studios in Spain who were just catching on. Now I've got a GT-001, and can sound like whatever I want.
OTH, I recorded PdL live in concert in LA with a much better recorder in my shirt pocket, no AGC, and he just sounded fantastic. So... practice...but I'm 76.... You get the idea...
I wish Sonar would just dispense with the Groove Clip idea, and just make audio stretching automatic (in Live, you just drop audio to a clip, and if the time signature is even close, it lines up perfectly. But then we've been asking for stretching in Maschine for a long, long time.
But when you gotta be your own engineer, all this stuff is really a PITA. But I think Sonar will work for me with my Tranzport and mouse .. at least for now... And when I want to have fun, there is always Push 2 (that 8x8 matrix in 4ths is just so much fun!), especially with Maschine sound libraries and effects.
But Sonar has comping...., and is truly a DAW for real musicians :)
Thanks to everyone, especially azslow3 for their input here (and hats off to Craig Anderton for his lifetime contributions to this world. My UC-33 is back in the closet, replaced by a Launchpad Pro on my desk. I can go home now, I think.... :)
----------------------
There is good news and bad news.
The good news is that the tools of production are at last in the hands of the workers.
The bad news is that the tools of production are at last in the hands of the workers.