JohanSebatianGremlin
I'm still finding my way around and I've still got a ton to learn about Cubase. So far I've only run into a few examples of what I'm already calling the 'German' way of doing things.
The interaction with the audio interface is the first one. I installed the software, it found my RME interface and easily let me select it. I loaded a soft synth and boom, I had sound. It found and used my interface just as you'd expect. Well not so fast there piggy. Yes we found your 32 input/output interface. But we know that a dumb piggy like yourself will never use more than the first two input channels and the first two output channels so that's all we'll make the software configure. If for some oddball stupid reason, you have the nerve to want to use more inputs or outputs than that, you'll have to figure out to configure them on your own piggy. Its a feature. Enjoy.
And then there's monitoring inserts. If you load up a soft synth and the patch an effect like a delay into the insert, you can hear that effect as you play the plugin. This is just what you'd expect to happen.
But now lets say you want to plug in a guitar. Well first piggy you'll need to wrestle with setting up inputs before the software will even acknowledge that your guitar exists. But now I've got my guitar signal feeding a channel. Ok lets load up an amp plug and get some sound going. Not so fast piggy. You can monitor effect inserts on soft synths but not on audio inputs. Why? Because piggy, no one should want to do that ever. Its a feature. Enjoy.
So we go to the Cubase forum to ask for help. Oh we'll let you join piggy, no problem. Oh but you want to actually speak? Oh no no piggy, we can't let you do that. We'll have to approve your post piggy. And we'll take our time to do that. Check back in six to eight weeks I guess. Welcome to Cubase piggy. Enjoy.
Yeah I'm going to miss Sonar. A lot. But I'm also glad I'm doing this now and not waiting until Sonar is completely broken before trying to learn the German way of doing things.
Ehhmm.. Are you using Cubase Pro? If so you can activate the Control Room, and you can use just as much outputs as you want, and can have up to 16 plugins in each output. You can also choose what channels are been monitored on each output. Very easy if you have more than one Monitor set, or if you want room correction on a monitor, and monitor emulation on a separate headphone output.
For inputs you just go to the inputs tab on VST connections, and you can add as much stereo or mono input channels as you wish (or your hardware is capable of). You can monitor each channel by setting it active and armed. You are not telling what setup configuration you want exactly, so I cannot give you more advise.
Yes - I am on the Cubase forum from time to time also, but I encountered mostly very helpful people over there. Yes - you have to let your first post being approved, but the reason for that is that the forum was spammed by one-time users that try to sell you latest kitchen or certain body-part enlargement pills. Rather than let the forum be filled with that kind of stuff, to be removed later, they simply made that first-time post check to make sure no garbage is posted (and "piggy"? - Please come on).
Anyway - I have my MOTU traveler running in Cubase 9.5 and can use all my inputs and outputs as much if I like. It can differ if you only have the Elements version. If I can remember well the number of inputs in Elements is limited to 8 (so 8 mono or 4 stereo inputs, or a combination of that). If you are uncertain how to do that, remember that Cubase has an good YouTube channel, where you can find things about setup, and also lots of tips and tricks.
Take a look:
https://www.youtube.com/channel/UCcQBdibdDxH2ngu3kNPYOEA/featured Setting up sound card:
https://www.steinberg.net/forums/viewtopic.php?t=10051And found after some "Googgeling":
https://www.youtube.com/watch?v=_ir_GirqAx0 The latest is not for Cubase 9.5, but this setup has not changed in years, so it's still the same.
Hope this helps.