when aux tracks and patch points were released, I rarely used them for much other than side chaining because I did not see the big benefit over the buses which I used all these years and was so familiar with. I simply thought to have tracks on the left and everything that sums tracks on the right is a nice and comfortable subdivision.
anyway, recording real drums with some 12-14 mics in the room, patch points and aux tracks make a major difference ... so by adding 5 aux tracks (for blended signals of mics from common sources like kick, snare, toms, stereo room, mono room) console view gets even busier, yet you got so much more control before you even hit your traditional buses for parallel compression etc.
aux tracks really rock :-)