Mix Rescue

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Jonbouy
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2011/04/12 22:34:12 (permalink)

Mix Rescue

I just want to echo some of the resources I find useful for self-paced learning as I've just been re-visiting phase relationships.

SOS's Mix Rescue articles if you are not familiar with them already are a gold mine.

http://www.soundonsound.c...rch?Keyword=mix+rescue

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    digi2ns
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    Re:Mix Rescue 2011/04/12 22:55:38 (permalink)
    Good Reading,
    Thanks for the link JB


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    Guitarhacker
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    Re:Mix Rescue 2011/04/13 07:35:32 (permalink)
    I book marked it for later reading....and to refer people to later...

    Thanks JB.

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    bitflipper
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    Re:Mix Rescue 2011/04/13 10:47:54 (permalink)
    The principle writer of the Mix Rescue column, Mike Senior, has a book out on mixing called "Mixing Secrets for the Small Studio". Given his day job, it's no surprise that the book is written from the standpoint of "here's how most beginners screw up...".

    Although it does not actually contain any real secrets, dwells too long on some trivial points, and presents a few debatable concepts as facts, I'd still recommend it for those who are just transitioning from beginner to intermediate mixing. It's well-written and to the point, as you'd expect from a magazine writer.


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    Philip
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    Re:Mix Rescue 2011/04/13 11:41:33 (permalink)
    Oh academia!  Well its nice to know SOS ponders mixing issues ...

    Later

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    dmbaer
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    Re:Mix Rescue 2011/04/13 16:07:03 (permalink)
    bitflipper


    The principle writer of the Mix Rescue column, Mike Senior, has a book out on mixing called "Mixing Secrets for the Small Studio". Given his day job, it's no surprise that the book is written from the standpoint of "here's how most beginners screw up...".

    Although it does not actually contain any real secrets, dwells too long on some trivial points, and presents a few debatable concepts as facts, I'd still recommend it for those who are just transitioning from beginner to intermediate mixing. It's well-written and to the point, as you'd expect from a magazine writer.


    Mr. Senior has a new and presumably regularly appearing column in SOS (at least I think it's his) wherein commercial mixes are analyzed, reverse engineered and explained.  This is brand new as of the April issue. The music he choose didn't sound like my cup of tea, so I didn't have any of it and have no idea how informative the article was but it was interesting to read nonetheless.
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    Jeff Evans
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    Re:Mix Rescue 2011/04/13 17:00:04 (permalink)
    I think Sound On Sound in general is a very good mag, one of the better ones. The Mix Rescue is always interesting reading because it shows up engineering approaches that might not work so well (the person being rescued) and suggests better alternatives. The studio rebuilds and re arrangements they do for people are also very enlightening.

    There is usually a decent feature article every issue now which covers some major aspect of music production and engineering. And of course the tutorials they do on various software programs are always excellent resources too. I am just waiting for Studio One to become part of that little elite group.

    Audio Technology here is also a pretty decent mag too. And this month they have a great article on how to test your compressor plugins to find out which ones are actually better than the others. I think another thread might be in order.

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    Jonbouy
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    Re:Mix Rescue 2011/04/13 17:23:12 (permalink)
    Yes I only mentioned this particular feature because I get a lot of milage out of stuff like this and just felt like spreading the word for those unaware of what is out there as far as useful resources go.

    There is plenty out there.


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    batsbrew
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    Re:Mix Rescue 2011/04/13 17:35:21 (permalink)
    i tried to read a few, but they all require some payment?

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    AT
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    Re:Mix Rescue 2011/04/13 17:59:32 (permalink)
    Batsbrew,

    usually the older issues are completely free online.  Mike has been doing them for a couple of years, I believe, so they ought to be available w/o a subscription.

    I think Sam Inglis did the last issue's mix rescue, along with a couple articles about editing.  Some good stuff.

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    bitflipper
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    Re:Mix Rescue 2011/04/14 12:04:41 (permalink)
    Australia's Audio Technology magazine is indeed excellent. Unfortunately, it seems to be unavailable here in the U.S. However, old articles are available online as PDFs. You do have to give them your name and email address to access the archives, but they promise not to sell them.


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    dmbaer
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    Re:Mix Rescue 2011/05/02 14:31:09 (permalink)
    bitflipper


    The principle writer of the Mix Rescue column, Mike Senior, has a book out on mixing called "Mixing Secrets for the Small Studio". Given his day job, it's no surprise that the book is written from the standpoint of "here's how most beginners screw up...".

    Although it does not actually contain any real secrets, dwells too long on some trivial points, and presents a few debatable concepts as facts, I'd still recommend it for those who are just transitioning from beginner to intermediate mixing. It's well-written and to the point, as you'd expect from a magazine writer.

    Just got my copy.  Having only read one chapter (chap. 16 on reverb), I can't dispute your criticisms.  However, I found that one chapter to be really astonishing.  There was one "ah-ha!" moment after the other.  I've read more book chapters and articles on this subject than I can recall, but his take on it was different that anything I've encountered before and I finished it with the feeling of having gained some important new insights.
     
    So, I'm quite looking forward to finding the time to read the whole thing.  True, the first few chapters on monitors and studio design look to be nothing new.  But if there's just a couple more chapters that offer the in depth insights that the reverb chapter did, I'm thinking this book will definitely worth the time to read.
     
    I want to mention one other thing ... Mr. Senior occassionally exhibits a delightful sense of humor.  For example, after stating that the decay time control is by far the most important one on any reverb, he remarks:
     
    "There'll be a slew of other controls on a lot of plug-ins, but for typical small-studio operators - an indeed a lot of professionals - there simply aren't enough hours in the day to worry about what all of those do.  (They do serve a useful social purpose, however, in distracting computer anoraks from ever getting any music finished)." 
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