AnsweredMixing questions about stereo image.

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RexRed
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2015/11/07 10:57:58 (permalink)

Mixing questions about stereo image.

I have a 5 part vocal track they are panned hard left and right.
 
When I look at it under a vectorscope the wave form energy is mostly pointing left to right (this i am told is bad).
 
Also when i look at it under a correlation trace I get a solid flat red line most of the time.
 
In stereo this sounds great! It has a nice wide sound and it gives the music a depth and character; but when i play the song in mono the vocal harmonies "completely" disappear.
 
I tried inverting one of the tracks and that set it into the mix and took away the spacial quality.
I am thinking of trying to differentiate the left and right track a bit with Eq and delay.
 
Thanks in advance for any suggestions.
post edited by RexRed - 2015/11/07 11:08:27
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Re: Mixing questions about stereo image. 2015/11/07 13:54:20 (permalink) ☼ Best Answerby RexRed 2015/11/09 15:01:03
Some of that "spatial" quality you're hearing (and losing in mono) is due out-of-phase tracks. It's a common aural trick but destroys mono compatibility. You'll have to decide if it's cool enough to sacrifice mono compatibility, but it sounds like you'd rather find a third solution.
 
Panoramic width is all about creating differences between left and right channels, ideally differences that when combined don't cancel any frequencies. EQ is a good place to start; boost and cut complementary bands on each side, e.g. boost the right at 2KHz, cut the left at 2KHz. A graphic equalizer, which normally has zero uses in a studio, is very handy for this.
 
Another trick is to use delays and reverb to generate L/R differences. Reverb by its nature spreads reflections across the panorama (many reverbs include a 0-200% "width" knob to control the dispersion distribution). You can emphasize that by (slightly) panning the reverb opposite the dry track's pan. Use Channel Tools rather than the pan slider for that.
 
Assuming your 5 vocal tracks are a lead and four harmonies, you can get away with effecting the harmony parts a lot more than the lead without sacrificing lyric intelligibility. I like to apply a chorus to background vocals and pan them 30-50% rather than hard-panning. It doesn't take a lot of this effect to noticeably widen the image while not sounding obviously "chorused".


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