Mobious Strip of Love..third degree

Yes, I posted this once before, but I have been tweaking in my room.
 
http://www.soundclick.com...ngid=13256621&q=hi
 
Generally, there are about 20 transients that pop above -3. 
 
AA6 says -16 trms
-6 max rms
Avg rms -19
 
DNR 62
DNR used 59
Loudness 14.7
perceived loudness -12.4
 
No compression or limit on the master on export from sonar plat, judicious eq cuts, though.
 
Imported to AA6, very  light compression added to track, nothing else.
 
Comments appreciated on the mix, or anything else.  I would like to know how this translates across the universe.  I only wonder how sounclick has adulterated my MIX!
 
Jesse q screed
 
 
 
http://www.soundclick.com...ngid=13256621&q=hi
 

I really like the creativity/uniqueness of your songs, but it's hard to figure out where you're heading with the mix (the instruments weave in/out of play). I do like the guitar track and would've like to hear it throughout the song (a nice funky grove)....and also agree with Kevin on the instruments being buried. You sure are dedicated to falsetto....keep it up!!.....waaaay up!! lol   

Thanks for the comments.  I appreciate them.
 
I am at a stage where I really want to improve my mixes and how they come out in the real world.  I have been moving my room around, trying different monitor placement, treatment placement, listening with my ears and my mind, doing the math of "music."  I'm hell bent to figure this out.  It might not be a realistic goal, but I want to make mixes that don't need LANDR, or mastering.
 
Kevin, the fact that the instruments sound a bit buried tells me a lot about my tweaks thus far.  I will take that into consideration next time I work on a mix.  The way I see it, most folks on the song forum have good listening environments, so if something is amiss it will show up, where in my room it might be masked by "the room."  So it is good to hear how it sounds because it gives me a certain direction on my next mix.
 
Acoustics and their impact are so weird, but very interesting.
 
Steve, I'm not sure what you mean by an unlimited mix, but I think it is a positive that it cuts through.  Sometimes peoples posts can be so cryptic, or at least seem that way, so I make a point to take everything at face value.
 
I'm glad you like the falsetto Mesh  I'll make a point to keep it up!
 
Thanks fellas, you have helped much.
 
Jesse Q. Screed

Kevin, thanks for the clarification!  I did not make the connection between unlimited and the lack of limiting, but I believe you are right. Most excellent.
 
Jesse Q. Screed

stevec

Jesse Screed
Steve, I'm not sure what you mean by an unlimited mix, but I think it is a positive that it cuts through.  Sometimes peoples posts can be so cryptic, or at least seem that way, so I make a point to take everything at face value.

Sorry....  I probably should have added a hyphen and used the word "non", as in, a "non-limited" mix.   Aka, no limiter added.   Or unlimited, as in there are no limits to what one can do.   Either definition will suffice.  

Steve, I'm easily confused.  You did just right.  Besides, we get to have another internet interaction of clarification
 
Yep, no limits, nada, I believe that, but is it possible?  I believe it is, and you do too, right?
 
Jesse Q. Screed

It is probably quite an imaginative tune but I am sorry it made my furry ears itch could not make it to the end.

First Jesse yes they really are furry

The mix just sounded like it was in a box no definition.  I will have another listen later when I return from the dentist.

Wookie, relax your fuzzy mind.  There is nothing that you can say about my productions that will hurt my feelings.  I submitted this for critique, not to build up my ego on a superfluous phony stroke.
 
I like what you shared about your opinions.  It will help me to get better.
 
I will have to check out the drums.  I agree that they are a little heavy handed in places.  That is a problem in all my mixes and I'm starting to wonder if it is my room, so I will experiment more.
 
The vocal thing was an experiment, but the fact that it sounded like I was singing in a box has me wondering, so back to the board.
The mention about the other instruments not being heard was also seconded by others, so I need to think about that too.
 
I think I have an arrangement problem too.  I am so new at this that I tend to lose focus easily.
 
All in all, your opinions were not fuzzy, they were to the point.  But I still think you are a fuzzy guy in a warm way
 
Jesse Q. Screed