Next Prochannel module !!

Ok all and together now say "Cake we want this !!!, now !!"








Easy , quik to modelise , it will be a hit !!  4 switch on a PC module = heaven !

Zo


Ok all and together now say "Cake we want this !!!, now !!"








Easy , quik to modelise , it will be a hit !!  4 switch on a PC module = heaven !

You Sir have been hacking into my thoughts - where's that aluminum foil? I've been thinking about this one as well. I remember back in the day demoing the real thing - I think it was around 5 bills at the time and I couldn't make myself pull the wallet out. Never forgot the sound though...


I too want this for prochannel! Or maybe I should yell that!


Good Call!

Don't want to pay for the UAD, huh? It is a nice piece of kit. 

I have 3 primary criteria for inclusion in the Pro Channel:

1. Simplicity.  Gear that have relatively few buttons, knobs, etc. This is part of why vintage emulations are cool for this. I love it when I know exactly which plugin I want because of what it does, and love even more experimenting quickly by choosing a plug, playing with a few knobs and say "YES!" or "nope..." Keeping with these kinds of plugins in the ProChannel would be excellent. 

2. Bread and Butter. Things I want on EVERY channel. The fact that you can set default PC modules for tracks and busses awesome- you can have the basics on all tracks without inserting a plugin manually. That is cool! Adding nifty plugins that are cool on their own but wouldn't make the default cut is slightly less useful.

3. Interaction. The ProChannel is an excellent place to put processing where interaction between tracks (side-chaining) or grouping would be excellent. It's great to be able to use Quick Groups and manual groups to tweak multiple EQ's in tandem with the Pro Channel (Quick Groups for the same tweaks, manual groups "inverted" if you want to do complimentary EQ with a few channels.)

The Dimension D certainly has Simplicity. I don't see it being Bread and Butter or highly Interactive, but Cakewalk have addressed these well with their initial Pro Channel modules and subsequent releases. I think it might just be time for the Dimension D. They've got to have a hookup being part of the Roland family. 


Peace,

Tunes

There is another VST unit they could bring out. Called R-880.  

  

 

BluerecordingStudios


You dont need to pay UA for this one. Emptyroomsystems already done great job, much better than UAD. I am using it on every project where is guitar. I dont think Cake need to do this one. They better focus on Sonar improvements more than on some EQ/Comp emulations.

Hey amigo , can you tell me if they changed the licences stuff and so now we can use it on 2 computers ?

thks ....i own Hdelay from waves witch is excellent ....but i like that simplicity of the Dim D ....just to fatten , enhance in a subtile way .....you really hear it when you bypass ;)

  New authorization process allow you to install it on as many comps as you want

I already have the "Don't Crack" V.I.P which includes a very good "D" representation,very good tools- 22 for $299, all 64, all very useful.

Can't believe Neb is 12 years younger than me.

Sincerely Bob S.

Booooo !!!

Bapu , totally of topic : what do you think about the new 1176 ?

2re , yep this what i heard ...but for now i'm just enjoying the UBK 1 witch is wiked !!

i always find that the Tla 100 is better than the 1176 in 90% of time ....when it come to comps , well i can stay ok with only : SSL Deunde bus comp , CL1B, TLA 100and the UBK1 ....and maybe a M/S one like the Fairchild or Fabfilter Pro C....

  I've been using UAD plug-ins for years now, but every time UA release a new toy, it usually gets more and more DSP intesive. So lately I've been replacing the UAD comps and EQs for native plug-ins, and reserve it's DSP for plug-ins that are unique to the platform, such as Studer 800A, Lexicon 224, EP-34 etc. It kind of defeats its purpose now. When I first bought in to the UAD platform, it was to offload my CPU. Now it's the other way around. I've found Softube to be a great replacement. The TLA-100A is nice and colorful. Love it on vocals. It tends to roll off the treble just a tad, giving it a somewhat darker character than, say, the FET Compressor (which now is my main native 'color' compressor. For clean, transparent compression, I prefere FabFilter Pro-C). The TLA-100A is also quit CPU intensive, so I wouldn't use more than one or two instances per project. For bus comp, I've been using UAD 4K and Precision Bus Compressor. They've now been replaced by The Glue, though, lately I've been using Sonar's PC4K bus compressor a lot. It's up there in the same league IMO. Too bad the PC76 U-Type Compressor isn't...

we can ask for both! no ?