Helpful ReplyPhase vs Polarity: Drew? Bit? Other Math Whizzers?

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mike_mccue
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2014/07/29 09:04:45 (permalink)

Phase vs Polarity: Drew? Bit? Other Math Whizzers?

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post edited by mike_mccue - 2015/02/07 08:50:49
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bapu
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 09:43:32 (permalink)
Hah!!! an imposter!!!
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Stan Dupp & The Jennifer Tillies
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 09:49:55 (permalink)
It's not fair I tells ya.
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bapu
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 10:04:05 (permalink)
Stan,
 
Leave bapü alone. He's may be a poseur with that umlaut but we need to find out if he's legit.
 
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craigb
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 10:09:58 (permalink)
Polarity generally has two (opposing) values while phase relates to a segment in time often for a cyclic or repeating action.
 
Obviously, there are times when two phases for a cycle can be exactly opposite of each other (180 degrees and -180 degrees for example) so the cycle can have polarity as well.
 
.
.
.
 
Alternatively, a phase is something your kid goes through to drive you crazy until you send him to the Antartic to gain a little polarity in his life.  (Tomorrow we'll discuss bipolar people.) 

 
Time for all of you to head over to Beyond My DAW!
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drewfx1
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 11:36:44 (permalink)
bapü 
" delayed by an angular value, which relates directly to a position in the cycle, "
 



Think of it in terms of missionary position. 

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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The Maillard Reaction
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 12:03:00 (permalink)
The part I am having trouble with is the idea that after you flip polarity, how do you describe the phase?
 
While the statement "a 180* phase shift on a sinusoidal signal is not the same as flipped polarity" makes sense to me, I can not reconcile, or articulate an idea of how you can flip the polarity of a signal and not consider that the phase angle has shifted to compliment the orientation to the baseline.
 
If I remind myself that phase is frequency dependent than there is always a periodic "per time duration" consideration whereas with polarity flips there is no time change involved. Is it that simple? If there is no time involved there is no "angle" to consider a relation to a baseline to?
 
I know I am asking the question in a goofed up way... but it is still a sincere question. :-) 
post edited by mike_mccue - 2014/07/29 12:35:59


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drewfx1
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 12:10:11 (permalink)
Polarity is multiplying by -1.
 
Phase shift is a shift in time.

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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slartabartfast
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 12:21:54 (permalink)
Polarity generally refers to an electrical connection, and is either of two states. In general a reversal of polarity can be considered to be the mirroring of the signal across the zero amplitude line in the amplitude domain. Phase refers to the displacement of the wave along a time line, and is infinitely variable. If you reverse the polarity of your speaker connections the phase is inverted relative to the previous state. If the signal is a sinusoid then it is shifted by one half cycle or 180 degrees. If the signal is noise, the description of the phase shift by radians or degrees is not so obvious.
post edited by slartabartfast - 2014/07/29 12:35:04
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drewfx1
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 12:25:03 (permalink)
You can also consider a DC offset sine wave, where everything is above zero. A polarity flip gives you a very different result than 180° of phase shift.

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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The Maillard Reaction
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 12:35:00 (permalink)
Thanks to both of you... I understand those examples.
 
How about this? Even though combining signals that have been phase shifted, and combining signals that have flipped polarity may both result in comb filtering there is no relation between phase shift and flipped polarity.
 
Inferring a relationship between the two circumstances because they both can result in comb filtering is a logical fallacy.
 
Now, which "fallacy" is that? 


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drewfx1
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 13:14:23 (permalink)
mike_mccue
 
Inferring a relationship between the two circumstances because they both can result in comb filtering is a logical fallacy.
 
Now, which "fallacy" is that? 




I'm not sure, but once we figure it out we can move on to which fallacy is inferring that just because two things aren't the same means they aren't related in any way. 

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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SteveStrummerUK
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 13:18:38 (permalink) ☄ Helpfulby drewfx1 2014/07/29 13:26:04
 
A guitarist has a phaser.
 
As does Mr Spock.
 
A photographist has a polariser.
 
And never Mark Twain will meet.
 
HTH.
 
"Helpful" thang please.

 Music:     The Coffee House BandVeRy MeTaL

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bitflipper
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 13:55:42 (permalink)
Being bipolar is considered a handicap, and you can take drugs for it. Being out of phase is just something we senior citizens have to learn to accept.


All else is in doubt, so this is the truth I cling to. 

My Stuff
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The Maillard Reaction
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 14:15:53 (permalink)
drewfx1
mike_mccue
 
Inferring a relationship between the two circumstances because they both can result in comb filtering is a logical fallacy.
 
Now, which "fallacy" is that? 




I'm not sure, but once we figure it out we can move on to which fallacy is inferring that just because two things aren't the same means they aren't related in any way. 




I think I made the mistake of concluding that just because someone is really really smart that they may be somewhat helpful. :-P
 
But seriously, if you have some more insights about the relationship between polarity and phase I'd like to continue learning how to think about it.
 
Here's what happened to cause my asking a question here: I posted a question at another site about choosing polarity for constituent tracks in drum mic mixes. I was asking if people make adjustments to match the polarity of their kick drum signal (which is usually recorded as a "bottom") with the signals, such as a snare, that are most often time recorded from the "top", and if they do match polarity do they opt for a "push" or a "pull". I generally match polarity and I opt for a "push" which is to say that I match the "top" mics to the kick mic.
 
The answers to my question seemed to devolve into a discourse of opinions about time alignment.
 
I reminded people that I was simply asking about polarity but they continue to be preoccupied with offering ideas about timing issues.
 
As I was reading refreshers on the subject of polarity and phase I realized that I had an area of perceived understanding that I was glossing over and not really thinking clearly about.
 
Hence I addressed two of the smart guys I know in the hopes that we could discuss some ideas in a way that encouraged a more complete understanding.
 
I think the comment I just quoted is pertinent to the context of the original question, but regarding the comment hasn't seemed to help me understand any more than I think I did before I asked the original question.
 
I'm leaning towards the idea that the only thing time alignment and polarity flipping have in common is the potential to elicit comb filtering, but as often happens to me when I start focusing on one idea, I may be missing something obvious that I shouldn't be ignoring.
 
 
 
 
 


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tom1
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 14:18:20 (permalink) ☄ Helpfulby bapu 2014/07/29 15:21:12
maybe it's partly due to the umlaut, and my Germanic heritage but to me this Bapü makes more sense than the other 5 or 6 on the forum

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wst3: MAYDAY! MAYDAY!! 2014/07/29 14:19:05 (permalink)
bitflipper
Being bipolar is considered a handicap, and you can take drugs for it. Being out of phase is just something we senior citizens have to learn to accept.




I'm wishing I had remembered to reach out to Bill a.k.a. wst3 in the title of my original post.
 
:-)


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craigb
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 14:29:39 (permalink)
Gee, sorry I couldn't be more help. 

 
Time for all of you to head over to Beyond My DAW!
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drewfx1
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 14:52:44 (permalink)
This is how I would tie it together:
 
When you have two different signals and invert the polarity of one of them, you change the phase relationship between the two signals.

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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The Maillard Reaction
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 14:58:07 (permalink)
Thanks! That is very helpful.
 
How about if it is two instances of the very same signal? Do you also change the phase relationship when you flip one of the signals polarity, or is that considered some sort of special case?
 
 


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drewfx1
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 15:19:34 (permalink)
If it's the same signal, it's the same. The phase difference at every frequency is now 180° and you go from the two signals adding at every frequency to canceling at every frequency.
 
In general, when you flip the polarity of one signal you go from the signals adding at any given frequency to canceling at the same frequency and vice versa. 

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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bapu
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 15:27:58 (permalink)
tom1
maybe it's partly due to the umlaut, and my Germanic heritage but to me this Bapü makes more sense than the other 5 or 6 on the forum


That is because McBapu is NOT the real bapu.
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bapu
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Re: Phase vs Polarity: Drew? Bit? Other Math Whizzers? 2014/07/29 15:30:36 (permalink)
I was duly honoured to find that since McQ could not log in he created a "temporary" login and the only name he could come up with was variation on theme.
 
But how the heck did he get an aviator?
 
Stan Dupp & The Jennifer Tillies could not get an aviator stick or uploaded to be used.
 
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slartabartfast
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 15:37:53 (permalink)
When you reverse the polarity you change to phase by 180 degrees compared to the previous phase. That is a change in the phase relationship. You may also change the intensity as Drew notes if the signal is not symmetrical and centered on the zero amplitude line.
 
Having the very same signal in practical terms means the signal is coming from the same source through the same transducer and then being split, or from symmetrically placed identical transducers. If the source is the same, but is being recorded from two different microphones, then the phase relationship can be changed because the time it takes for the sound to reach microphone A is not necessarily identical to the time to reach microphone B. That is the same as shifting one signal along the time line by the amount of the arrival time difference. That difference in the phase relationship is very unlikely to be a 180 degree shift of signal A relative to signal B. If, and only if, it were 180 degrees, then reversing the polarity of microphone A would put the signal from microphone B back into the same phase relationship.
 
 
http://www.moultonlabs.co...and_polarity_reversal/
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The Maillard Reaction
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 15:54:30 (permalink)
drewfx1
If it's the same signal, it's the same. The phase difference at every frequency is now 180° and you go from the two signals adding at every frequency to canceling at every frequency.
 
In general, when you flip the polarity of one signal you go from the signals adding at any given frequency to canceling at the same frequency and vice versa. 




This takes me back to my original question.
 
Is it correct to say that flipping polarity changes the phase relationship by 180* if in fact no actual time shift has occurred? That's a sincere question not a wise crack reply.
 
With the scenario you describe of the signals cancelling each other out to null (or some DC offset); Is it just a common habit to attribute that with the term "phase cancellation". Is that indeed the specific and correct term to use? There are many circumstances of phase cancellation, or rather comb filtering, which results in the introduction of nulls and or peaks, but is the cancellation due to reversed polarity one of those examples, or is reversed polarity a special case, not at all associated with time shift, where the cancellation occurs simply due to the summation of symmetrically reflective values?
 
I appreciated the differentiation between the terms "phase shift" and "phase relationship". Now we have introduced the term "phase difference".
 
I'm slowly learning.
 
 
 
 
 
 


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wst3: MAYDAY! MAYDAY!! 2014/07/29 15:56:26 (permalink)
bapu
I was duly honoured to find that since McQ could not log in he created a "temporary" login and the only name he could come up with was variation on theme.
 
But how the heck did he get an aviator?
 
Stan Dupp & The Jennifer Tillies could not get an aviator stick or uploaded to be used.



I borrowed John's avatar when he wasn't looking.


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slartabartfast
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 16:20:42 (permalink)
Actually the whole concept of phase is more or less dependent on a regularly repeating signal. In that sense the model of displacing the signal along the time line is an analytical, not a literal requirement. If the signal repeats cycle after cycle to both the negative and positive side of the zero time then moving it 1/4 cycle to the positive represents the change in the phase. If you actually delay a real signal 1/4 cycle you will produce a 1/4 cycle gap after which the sequence will be 1/4 cycle out of phase. The phase can be mathematically manipulated with no real time involved then reconstructed by a synthesizer in real time with the same effect. That is how digital polarity change or true phase shifting is accomplished. 
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drewfx1
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 16:39:04 (permalink)
mike_mccue
drewfx1
If it's the same signal, it's the same. The phase difference at every frequency is now 180° and you go from the two signals adding at every frequency to canceling at every frequency.
 
In general, when you flip the polarity of one signal you go from the signals adding at any given frequency to canceling at the same frequency and vice versa. 


 
This takes me back to my original question.
 
Is it correct to say that flipping polarity changes the phase relationship by 180* if in fact no actual time shift has occurred? That's a sincere question not a wise crack reply.
 

 
Yes, the phase relationship/difference changed by 180°. 
 

 
With the scenario you describe of the signals cancelling each other out to null (or some DC offset); Is it just a common habit to attribute that with the term "phase cancellation". Is that indeed the specific and correct term to use? There are many circumstances of phase cancellation, or rather comb filtering, which results in the introduction of nulls and or peaks, but is the cancellation due to reversed polarity one of those examples, or is reversed polarity a special case, not at all associated with time shift, where the cancellation occurs simply due to the summation of symmetrically reflective values?

 
Phase cancellation is correct in my eyes.
 

I appreciated the differentiation between the terms "phase shift" and "phase relationship". Now we have introduced the term "phase difference".
 



Unfortunately, sometimes they are used interchangeably. :)

 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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The Maillard Reaction
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 17:13:13 (permalink)
drewfx1
mike_mccue
drewfx1
If it's the same signal, it's the same. The phase difference at every frequency is now 180° and you go from the two signals adding at every frequency to canceling at every frequency.
 
In general, when you flip the polarity of one signal you go from the signals adding at any given frequency to canceling at the same frequency and vice versa. 


 
This takes me back to my original question.
 
Is it correct to say that flipping polarity changes the phase relationship by 180* if in fact no actual time shift has occurred? That's a sincere question not a wise crack reply.
 

 
Yes, the phase relationship/difference changed by 180°. 
 

 
With the scenario you describe of the signals cancelling each other out to null (or some DC offset); Is it just a common habit to attribute that with the term "phase cancellation". Is that indeed the specific and correct term to use? There are many circumstances of phase cancellation, or rather comb filtering, which results in the introduction of nulls and or peaks, but is the cancellation due to reversed polarity one of those examples, or is reversed polarity a special case, not at all associated with time shift, where the cancellation occurs simply due to the summation of symmetrically reflective values?

 
Phase cancellation is correct in my eyes.
 

I appreciated the differentiation between the terms "phase shift" and "phase relationship". Now we have introduced the term "phase difference".
 



Unfortunately, sometimes they are used interchangeably. :)


 
Thanks for sharing your thoughts.
 
I am gathering that the best way to think about this is to scrupulously avoid mixing up the term Phase Shift with the terms Phase Relationship or Phase Difference. Yes? Maybe?


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The Maillard Reaction
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Re: wst3: MAYDAY! MAYDAY!! 2014/07/29 17:14:42 (permalink)
Thanks for adding your comments David!


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