SvenArne
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Preamp purchase
Hi all! For those who followed my 'microphone purchase' thread, I've decided not to sping for the Shure SM7 this time around, but instead buy a single channel mic preamp/channel strip. My budget is $500-$700. I've contemplated solid-state models such as the FMR Audio RNP but I figure I want something more 'characterful', possibly a tube pre. I've already got my Focusrite Saffire Pro pres and the M-audio DMP-3 which both provide plenty of clean, transparent gain. Other than that I've worked a lot with the UA Solo 610, and I found that too 'tubey' even at low gain settings, so I'm probably looking for something with more clean headroom. I've looked at the Groove Tubes The Brick which looks like a great deal for the money, but I can't seem to find any this side of the atlantic, which means I'd need some sort of mains power adapter solution which complicates matters. I'm curious about the TLaudio Ivory II 5051 mono channel strip, which has a compressor and EQ! Can get it for about $700. Interesting solid-state options include JoeMeek OneQ, Avalon Mono U5 and UA Solo 110. Any other suggestions? Sven
post edited by SvenArne - 2009/10/20 06:11:21
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The Maillard Reaction
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Re:Preamp purchase
2009/10/20 07:21:10
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How about a Great River preamp? That's the no-brainer in my rack.
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DigiBiu
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Re:Preamp purchase
2009/10/20 08:22:31
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Don't think the Great River is in his budget, but that would be my first choice too. I absolutely love mine
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Spaceduck
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Re:Preamp purchase
2009/10/20 09:30:46
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Heya Sven, if you want a Brick (a great choice) I recently learned Aspen Pittman, ex-owner of GT, is selling off a bunch of his leftover stock. Not only that, his last run of Bricks features a big improvement (to the transofrmer, I think) that you won't find anywhere else. He's selling them for an insanely low $250 each, when I last heard. He may ship overseas for a reasonable price. If you're interested, try reaching him here http://aspenandassoc.com/ Or PM me, and I can give you his direct email. My first choice would've been the 610, but you're right--it is tubey. The Brick might be exactly what you need. Also the UA 710 Twinfinity gets a lot of good reviews because it has both tube & solid state paths, and you can blend the two as you like. Price is a little higher, though, $800.
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The Maillard Reaction
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Re:Preamp purchase
2009/10/20 13:37:54
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Now that's what I call a plug in!!!
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batsbrew
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Re:Preamp purchase
2009/10/20 15:28:19
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if you can go the 500 series route, these are sweet: A Designs P-1 Great River MP-500NV API 512C Grace Design m501 if not, maybe one of these? (**=personal favorite) Daking Mic Pre One True Systems P-SOLO Drawmer MX60 Summit Audio 2BA-221 ** Grace Design m101** TL Audio Ivory 2 Series 5050 Universal Audio 710 Twin-Finity Microphone Preamplifier Focusrite ISA One Microphone Preamp Focusrite OctoPre LE 8-Channel Microphone Preamp M-Audio Octane 8-Channel Digital Preamp ART Voice Channel Tube Microphone Preamp System with Digital In/Out
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feedback50
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Re:Preamp purchase
2009/10/20 15:37:59
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If you're an experienced electronic hobbyist, the Seventh Circle pres are a great value. You can put together a single channel Neve clone with cabinet and supply for about $650 (plus freight). The kits can save you a fair amount of money but are not for the beginner. (The rack and supply are nearly pre-assembled). Although the rack is similar to the 500 "lunch box" type they are not compatible with 500 series modules. The upside though is that once you've paid for the rack & supply you can add other modules (API, Jenson, etc) at very reasonable cost per channel ($80-$400 per channel). (The order form on the web site gives discounts automatically for combinations of OP-Amps and pres, or your first pre with cabinet/supply and wire harness). Three of the module types are transformer I/O which can add substantially to a saturated sound depending on the gain structure used. The supplies are good at 250 50Hz (as well as 120 60Hz) so they should work on your side of the pond. (The large Op-Amp modules used in some of these designs shouldn't be confused with monolithic devices in chip form. These are large modules packed with discrete transistors and other components running at respectable bias voltages.) You can Google for independent reviews. They may not be quite in the same class as the Great River pres but they're a step up from other offerings in their price class. I have a pair of N72s and I'm getting ready to build a pair of J99s. My objective is to capture the flavor of a variety of classic console pre's for specific recording applications. The modules are also available fully assembled at a higher cost, but I kind of enjoy the challenge and satisfaction of assembling my own (especially since I found a supply of marijuana-core solder).
post edited by feedback50 - 2009/10/20 15:44:47
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SvenArne
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Re:Preamp purchase
2009/10/20 15:39:56
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Thanks for your replies guys! I understand that certain brands exibit a big price difference across the atlantic. The cheapest Great River pre I can find (ME-1 NV) pre costs about double the examples I listed ($1400) over here, so will likely remain out of my price range for some time. I could always buy from the states, but it's impossible to say what amount of tax I'd have to pay (seems like the customs people decide an arbitrary sum, which may or may not be bank-braking). Furthermore there's the power issue as I'd really don't wanna have to have some sort of power mod done. Spaceduck> Thanks for your help! Since I can't seem to find The Brick around here, do you know whether they make a 220Vac power supply for this unit? Feedback> Thanks but I've barely ever used a solder iron... But maybe I'll take it up if you hook me up with your tin supplier Batsbrew> All those seem to be out of my budget, but thanks! Sven
post edited by SvenArne - 2009/10/20 15:44:54
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Spaceduck
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Re:Preamp purchase
2009/10/20 16:11:23
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SvenArne Spaceduck> Thanks for your help! Since I can't seem to find The Brick around here, do you know whether they make a 220Vac power supply for this unit? I think you're in luck. The manual says "Primary input voltage is internally selectable between 120v and 240v 50-60 Hertz" http://www.groovetubes.co...s/2084_The%20Brick.pdf
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batsbrew
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Re:Preamp purchase
2009/10/20 16:54:17
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all majority of the ones i listed were between 500-$700. a few, topped out near $800.
post edited by batsbrew - 2009/10/20 16:55:26
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Dave King
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Re:Preamp purchase
2009/10/20 16:59:36
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The grace 101 is a nice clean preamp, but without much character. ...just my .02
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AT
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Re:Preamp purchase
2009/10/20 17:21:02
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I don't know what the price is in Europe, but the Golden age pre 73 is supposed to be colorful (or colourful across the pond). Neve based, and transformers. They run about $300 over here, so maybe 400 euros? electro-Harmonix also makes a cheap tube preamp that doesnt' use a starved plate design - it is less than $200 and they are an international company. Finally, art makes a couple of well respected (on the low end) units. But the Brick would be a good buy for that amount of money. @
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windsurfer25x
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Re:Preamp purchase
2009/10/20 17:27:06
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Check out the UA 710 twin finity There's the SSL alpha channel... I like the UA Solo 110 and 710 twin finity, heard them both. Summit Audio is supposed to be good but I heard it's kind of noisy
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skullsession
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Re:Preamp purchase
2009/10/20 20:04:33
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HOOK: Skullsessions.com / Darwins God Album "Without a doubt I would have far greater listening and aural skills than most of the forum members here. Not all but many I am sure....I have done more listening than most people." - Jeff Evans on how awesome Jeff Evans is.
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Middleman
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Re:Preamp purchase
2009/10/20 21:36:59
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I was recently at a shootout between the following: Portico 5012 Great River NV Neve 1073 Daking Mic Pre One The Daking took them all across the board on male and femal vocals. There were some voices where the Portico, GR & 1073 each had a winner but overall the Daking was amazing.
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SvenArne
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Re:Preamp purchase
2009/10/21 02:16:34
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Options, option, options... Seems like a lot of pres in this price range aren't rack-mountable, which is a little annoying. Talking about 'clean & uncolored' preamps, I never considered myself an audiophile and I have a genuine fear that I wouldn't be able to hear the difference between any two super-clean preamps. I imagine ordering something like the Daking or Grace and then burying my DMP-3 in the backyard so I would never be tempted to A/B them... Sven
post edited by SvenArne - 2009/10/21 02:19:58
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The Maillard Reaction
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Re:Preamp purchase
2009/10/21 08:03:00
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A rack enclosure costs money. :-) I'm making a DIY preamp right now and the rack enclosure costs more than everything but the Jensen transformers. And that is before I do the metal work. You are in a delicate position. Your budget can buy you a some high end crap... or you can just barely get into true pro gear. The true pro gear we have spoken of is priced right along a spectrum.... and you are literally looking at a situation where the pro gear is giving you the good guts while cutting costs by not buying/selling more metal (the rack enclosure) and shipping costs (to them, from them to the distro, from the distro to you... it all adds up). Additionally, external power supplies cut costs dramatically because the safety and certification factors are essentially "farmed" out to a subcontractor who can spread those costs over hundreds of customers and their product designs rather than a single unit that needs to be sent off for safety testing if a certification like "UL" is desired. This is why I call the mid grade expensive crap... well crap, because it's likely you are spending a premium on the metal in the rack enclosure and all the shipping costs while the important part, the guts, cost about $20, and could have fit in a small project box. Hmmm, I feel like I just described the whole A.R.T. product line :-) I think the Daking is a great choice... but if anything I'd advise you to STOP, save a bit more money and re visit this when you have enough budget to make a decision based on what you want and not what your current budget allows. That way you can buy something that really appeals to you rather than what you can just barely slip into. If you save up a little more... you can begin making purchases of gear you will keep for the rest of your life... rather than the stepping stones the high priced mid grade gear will turn out to be. As an anecdote; I'm ordering a pair of Purple MC77s today. I've waited over 1-1/2 years to be able to do it painlessly. I've wanted them much longer than that... but 1-1/2 ago the planning for budget phase began. I plan to own them the rest of my life. The sooner you get to that mentality... the better... it's a very relaxing place to be. all the best, mike
post edited by mike_mccue - 2009/10/21 08:24:17
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SvenArne
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Re:Preamp purchase
2009/10/21 10:42:33
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Seems like good and heartfelt advice, Mike! Problem is, my studio is a long way from being 'pro' and likely will be for many years. I feel that a studio won't ever sound better that its lowest common denominator. In my case, that would be the fact that I'm limited to recording E-drums. That alone pretty much destroys my ability to make anything sound 'professional', at least within the genres that interest me the most. Buying stuff for my studio is a luxury for me, no matter the price, and I am an active musician, although that's not where I make most of my money. I play several instruments with different constellations of people and I don't even own a real guitar amp! I have to borrow one for every gig! I also don't have any kind of 'stage' keyboard, so I have to bring my midi board and crap, unreliable laptop! My ride cymbal has a crack in it! So whenever I buy studio equipment I tend to go for features, rather than quality. As it stands today my home studio can do pretty much anything. One feature my studio lacks, though, is the ability to manipulate the sound before it's recorded to disk, either by adding 'character' or with built-in processing. Hence this thread and especially the mention of channel strips like the TLAudio and JoeMeek. Those units do four to six different things, which logically further decimates the $ value of each 'feature'. In addition, the types of 'clients' I attract would be much more excited by seeing a rackful of knobs and VU-meters, than a little grey 'boutique' box with one knob and two buttons no matter how superior the sound. I appricate your insight and I've learned a lot about preamps from this thread, which I'll hopefully employ later when the time comes to upgrade my whole kit bit by bit, but for the time being I might as well admit that I'm firmly stuck in the home studio segment and that one super clean $1000 input is simply overkill for the time being! No bashing here, I just felt the need to tell someone the story of my life Sven
post edited by SvenArne - 2009/10/21 10:45:44
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Spaceduck
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Re:Preamp purchase
2009/10/21 11:11:42
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SvenArne In addition, the types of 'clients' I attract would be much more excited by seeing a rackful of knobs and VU-meters, than a little grey 'boutique' box with one knob and two buttons no matter how superior the sound. Aint it the truth! Even though we work in the realm of sound, we're still working with human beings who are affected by appearances (myself included). It never hurts to make your studio look good. I'm also annoyed at the huge price difference between "doorstops" (like the Brick or the Solo610) and rack units (like the Vipre or the LA-610). I know the rack models add a lot more features to justify the huge price increase, but that leaves us $500-ish people stranded. Would it kill them to slap a pair of ears on some of these units and sell them as rackable? Maybe they purposely avoid that because they want us to cough up the extra money to enter the next level. It's a smart game they play, actually.
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skullsession
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Re:Preamp purchase
2009/10/21 12:24:54
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The Daking, actually, carries the price tag of about $750 as the Mic Pre One. Same exact pre as in the Mic Pre with EQ and the Mic Pre IV. But the Mic Pre One has a HPF on it that th Mic Pre IV doesn't. That's pretty cool. The Mic Pre IV is ABOUT $500 a channel....but obviously has 4 preamps in a single rack space. PHENOMINAL deal when it comes to world class preamps....in my opinion.
HOOK: Skullsessions.com / Darwins God Album "Without a doubt I would have far greater listening and aural skills than most of the forum members here. Not all but many I am sure....I have done more listening than most people." - Jeff Evans on how awesome Jeff Evans is.
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esmail1
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Re:Preamp purchase
2009/10/24 22:46:10
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I have been following this thread for a few days + have done a ton of research elsewhere on the web. Im looking for decent lower cost pres, and also a DI that sounds great on bass. I just ordered the Allen and Heath Zed 14 mixer, because all Ive read is everyone raving about how good the pres sound...clean and organic. I researched the GAP 73, but I was very dissappointed in its sound quality as it has very odd sounding artifacts and sounds thin in these sound samples: http://www.zenproaudio.com/1073test.aspx Even when you dont compare it to the actual Neve...the GAP 73 sounds pretty bad IMHO. Listen to the artifacts, mid range sponginess and overall thin quality on all instruments and voice. Then I found some audio files of bass being played though the Presonus Tube Pre...and they sound very good here, especially when compared to more expensive bass DIs: http://www.basstasters.co.../PreSonus_TubePre.html For that price of $129, sounding good on bass...I figure I can get some decent vocal tracks out of it...so I ordered one of those as well.
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Lanceindastudio
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Re:Preamp purchase
2009/10/25 02:04:00
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My friend Rico Belled plays for the Rippingtons. He recorded some bass for their latest record through the presonus blue tube preamp. The rippingtons leader loverd the sound.... Just a thought ;)
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dstrenz
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Re:Preamp purchase
2009/10/25 07:06:14
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Sorry, this is just one hobbiest's opinion but I've got a PreSonus blue tube and don't care for it for bass. It sounds thin to me. Changing tubes helped a bit but it doesn't come close to my Avalon U5 or ART Pro Channel (sorry to mention ART, Mike :), or even through my MarkBass LMII's direct out. The Avalon is SUPER CLEAN and probably not what you're looking for if you like tubes. The ART preamp can be clean or various stages of dirty and I've heard from others that their inexpensive TubeMP is similar.
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Lanceindastudio
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Re:Preamp purchase
2009/10/25 14:08:11
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I noticed my avalon 737 sp was super clean as well. Call me crazy, but I actually like my eureka better than the avalon I had before.
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KenJr
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Re:Preamp purchase
2009/10/25 14:41:15
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Middleman I was recently at a shootout between the following: Portico 5012 Great River NV Neve 1073 Daking Mic Pre One The Daking took them all across the board on male and femal vocals. There were some voices where the Portico, GR & 1073 each had a winner but overall the Daking was amazing. Daking makes some killer stuff...can't go wrong there. I had a 5012 and loved it...only sold it to move up to a Aurora Audio GTQ2. This list is obviously above the OP price range...but IMHO, I'd save some more scratch and get into the $1500-1800 range where you'll have a lot more options...
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skullsession
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Re:Preamp purchase
2009/10/25 14:55:10
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Lanceindastudio I noticed my avalon 737 sp was super clean as well. Call me crazy, but I actually like my eureka better than the avalon I had before. The Avalon 737 CAN be very, very clean. The secret is to crank the input, light up the HIGH GAIN button, and drop the output to near zero. You can really dig into the tubes then....she can get pretty dirty. I use it all the time, but for what it's worth, knowing what I know now.....I would rather have spent the money on another Daking PreIV.
HOOK: Skullsessions.com / Darwins God Album "Without a doubt I would have far greater listening and aural skills than most of the forum members here. Not all but many I am sure....I have done more listening than most people." - Jeff Evans on how awesome Jeff Evans is.
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KenJr
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Re:Preamp purchase
2009/10/25 15:35:13
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Lanceindastudio My friend Rico Belled plays for the Rippingtons. He recorded some bass for their latest record through the presonus blue tube preamp. The rippingtons leader loverd the sound.... Just a thought ;) I had a Blue Tube...I dumped it....I think I'd rather plug into my refridgerator than that thing again... I can see how it might be decent on some instruments - horns maybe, but for vocals or acoustic instruments it stunk, IMHO.
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feedback50
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Re:Preamp purchase
2009/10/26 10:09:29
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I had a blue tube (original version) for a while. It wasn't terrible if you stayed away from the tube gain, or used it with a high gain mic (LDC). I think it fell into the class of cold-cathode tube pre's that were popular for a while. I ended up giving it to my son in law as I had much better stuff later on. It mostly used it on bass and electric guitar, and rarely on scratch vocal tracks. I don't think it was necessarily any better than the pres in my Yamaha board, but it was a different flavor and offered a bit more gain.
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Beagle
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Re:Preamp purchase
2009/10/26 11:38:14
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skullsession The Avalon 737 CAN be very, very clean. The secret is to crank the input, light up the HIGH GAIN button, and drop the output to near zero. You can really dig into the tubes then....she can get pretty dirty. I use it all the time, but for what it's worth, knowing what I know now.....I would rather have spent the money on another Daking PreIV. James - at one time you recommended the True Systems pres to me (I still haven't bought it yet! ) do you like the Daking better than the True Systems?
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skullsession
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Re:Preamp purchase
2009/10/26 14:24:09
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Beagle skullsession The Avalon 737 CAN be very, very clean. The secret is to crank the input, light up the HIGH GAIN button, and drop the output to near zero. You can really dig into the tubes then....she can get pretty dirty. I use it all the time, but for what it's worth, knowing what I know now.....I would rather have spent the money on another Daking PreIV. James - at one time you recommended the True Systems pres to me (I still haven't bought it yet! ) do you like the Daking better than the True Systems? Well....the first time I heard a kick drum through the Daking, I was like...."REALLY?" I now reach for the Daking first, every single time. Not that the True-Systems preamps suck.....it's just that the Daking sounds that much sweeter. The True-Systems still gets some use, but not nearly as much as the Daking. If the Dakings were all broken, I'd be fine with recording an entire album with the Precision 8. I'd just probably have to work harder on the mix.
HOOK: Skullsessions.com / Darwins God Album "Without a doubt I would have far greater listening and aural skills than most of the forum members here. Not all but many I am sure....I have done more listening than most people." - Jeff Evans on how awesome Jeff Evans is.
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