Pro channel presets

I don't think most FX come w/ genre specific presets, even sets you can buy.  They come w/ sound specific presets.  They are general settings for kinds of instruments, for the most part.  Loud vocals, Soft Female vox, rock guitar, drum buss are the types of presets one usually finds across FX presets.  And even for those, it is "more of a guideline than rule." Even the perfect preset will probably have to have the threshold or gain and make-up tweaked for your specific track, since the preset artist can't possibly know what level you are recording at or out.
 
The Prochannel units are very good and adaptable to most styles of music.  Learning to use them is part of becoming a recording engineer - much like a metal guitarist starts out learning the basic chords.  The bad news is it takes time - you can record a good song easily w/ little practice, making the recording sound great is an art just like writing a good song.  The good news is that as you figure out which of the many techniques and tricks talked about here and elsewhere in the aether work for you, you develop your own ... style or sound.  You develop chops, and it gets quicker (esp. w/ mixing) as you know what works for you and what won't work.
 
If you are starting your recording project there is no reason you can't get a competent recording, even if you are relatively new to the art.  Set up some mics, hit record.  Then line up the tracks and set their levels.  That is about half the job.  Until you do it you won't get better, but if the music itself is good you'll have to try to get in its way.  Or you can pay someone good money to do it for you.  If you are just starting out mixing, just stay away from compressors and even EQ for the most part.  You are more likely to muck things up w/ them than improve the track, just like slapping on some random preset (I know - I've done both of those).  Just use the EQ filters to take out some bottom to clean things up, and maybe take the edge off the top of the spectrum.  Once you get good w/ that start fooling with the mids (but not much - if you need +12 dBs of gain in the mids on a track, there is likely to be something fundamentally wrong elsewhere).
 
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