Quick Survey: Who here uses Sonar to capture on-set audio for film and TV?

OK,  I do not use Sonar to record audio for picture....but I do tons of work for TV/Films/Commercials and long gone are the days you have to sync to sympte two different devices to hold sync.  To make things easier you should have a on-camera "Slate"   https://en.wikipedia.org/wiki/Clapperboard
 
but it is easy to survive without that these days.  when you are sending audio to the editor you will have to help him out somehow...depending on your work method.  You can give him a "2" pop,  send him a Broadcast wav (they are time stamped)  or an OMF of the recorded material.  Make sure you and the editor are working in the same frame rate and you can insert a Sympte off-set in Sonar by going to Preferences>Clock. That will make your Broadcast wav or OMF automatically drop into the correct place on a timeline.  If your offset is wrong it still is a very easy one-time fix for the editor.
 
I work in post production, not the actual production.  What I do 99% of the time is have a offset of :00:59:50:00 and have the audio start at :01:00:00:00.  At :00:59:58:00 there is a "2" pop (one or 2 frames of a 1k test tone).  This gives a 10 second roll up.  The reasons for these are old school, some younger guys sneer at this because they want audio starting on frame 1,  but every once in a while it saves somebody a lot of trouble.
 
Once you set up a system and you are consistent every thing will work well.  Stay in close contact to the video editor.  As a music composer I always try to go and pay for lunch with the audio mixer and video editor.  Get to know them and be their friend.  you will have less technical problems and get a lot more work.
 
Good Luck!

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