Separating out Soft Synth Tracks

Hey everyone -- is there a way in Sonar to separate soft synth drums -- Superior or Addictive, etc.  -- into separate audio tracks  once the drums have been recorded (I know how to do it if I separate before recording).
 
In the video below, Pete Woj talks about it in Studio One, but I can't seem to find something similar in Sonar.  I may just be missing it.
 
Thanks for any help.
 
https://youtu.be/UUJHh8GFcBE
 
I have the latest version 2017.03 (23.3.0.51) running on Windows 10.

My thread on setting up routing may help with some pointers about settings in AD2. Note the link at the top to the help article on the same subject
http://forum.cakewalk.com...-Console-m3584952.aspx

Ok, nevermind everyone -- I just figured it out.  Sorry to have taken any time.  I just wasn't thinking.  By looking at what you wrote and then playing around, I figured it out.
 
Thanks much
 
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First of all -- thanks for the replies -- I really appreciate it.  And thanks Kamikaze for the link.
 
I just got back in and haven't gone through them yet, but since abacab wasn't clear about what I was asking (sorry), I wanted to throw that out quickly.  I was meaning to ask if it is  possible, in SONAR, to take a recorded soft synth drum part and separate out the different instruments after recording.  I know it can be done before the recording, but . . . . 
 
In other words -- say I have a recorded Superior Drums (or Addictive) soft synth MIDI drum track -- already done -- and I want to move that into separate tracks for bass, snare, and so forth -- is there a way to do that?  Or is it one of those things that you just have to do earlier, and if you didn't, oh well.  I think this is what abacab is saying,  "But if you have already recorded the AD2 drums master as a stereo audio track, you will have to start over, using separate audio tracks for each kit piece."  And I think Kamikaze's thorough link concerns setting up prior to recording.
 
However, there seems to be a way in Studio One to do what I am asking about.  At this point in the video from above (the clip below starts at starts at around 10 minutes), the guy shows it working that way fairly smoothly in that DAW with a prerecorded drum track.
 
https://youtu.be/UUJHh8GFcBE?t=10m4s
 
Thanks, thanks, thanks.
 
 

I've used both methods (splitting the Midi or splitting the audio).
 
To me, it makes no sense to have the Midi split up over different tracks - certainly at the composition stage I *need* to see all the different hits and how they relate to each other, (making sure my virtual drummer doesn't sprout a 3rd arm or leg) and making micro adjustments to timing, velocities etc.
 
I split all the different kit pieces out to their own audio tracks with whatever drum vsti I use, but it's usually BFD or SD3

Bristol_Jonesey
I've used both methods (splitting the Midi or splitting the audio).
 
To me, it makes no sense to have the Midi split up over different tracks - certainly at the composition stage I *need* to see all the different hits and how they relate to each other, (making sure my virtual drummer doesn't sprout a 3rd arm or leg) and making micro adjustments to timing, velocities etc.
 
I split all the different kit pieces out to their own audio tracks with whatever drum vsti I use, but it's usually BFD or SD3

I used to split the midi for drums so that I could focus n the dynamics of the Hi Hats or Rides, as they would have some hits at the same time as a snare. Sometimes I would treat it as a midi tarck for one hand and one for the other (but shere the kick wit the left had). Also sometimes I'd record the midi in two takes, fosucing on playing the hat's, then the snare and kick, or hats and snare, and add the kick in after. But since falling for AD2 Transform tool for dynamics, I want the midi all on one track.
 
 

There's a .CAL file (remember THOSE?) that splits up a MIDI drum track into separate note tracks. I believe it's one of the default .CAL files that come with Sonar.