The importance of the Loopback test and using Sonar
I did this test a few years ago and thought I run it again. Mostly to see if the new drivers for my Tascam us1641 are really as good as I was experiencing. I was right. In my test prior to the new drivers the Tascam was off time. Now it is bang on, but,, only in ASIO mode. This is why I'm posting this thread here. I think everyone needs to do this test. Especially if you've been advised to use WDM mode. Don't unless you test!
Not all interfaces will pass the test under WDM mode. Very few probably.
And it is very clear why MME mode is to be avoided for anything but playback.
I ran the test using 3 different computers, My main DAW ( W10) , Laptop (W7) and my old DAW (W7) . All are 64 bit windows up to date.
Main DAW and Laptop running Sonar Plat latest build ( my signature) Old DAW Sonar studio x3e
It was interesting that my Scarlett 6i6 will not run on any computer in WDM or MME mode. I can change to these modes and run the wave profiler, but the minute focus is on the project the Audio Engine stops.. and at any setting or buffers. The Tascam must have WDM drivers or the Scarletts drivers are not stable in this mode.
The test results were exactly the same on all 3 computers
ASIO mode bang on ( even if you zoom way in.. and WDM mode a little late,, MME mode WAY late.
FYI The loopback test is easy.
First set up you interface with a short cable running from an output to an input.
I unplug my monitors from 1/2 to avoid mishaps and used output #1 into input #1.
You can use headphones if you want to listen,, but your eyes are more important. Turn them way down.
Turn the input gain off for now.
Open a blank Project.
insert a MIDI track and draw a few snare or kick notes. Only need a few.
Then insert an Audio track for each interface or mode you want to test.
Insert any drum synth and freeze it. This creates an audio track.
Notice it should line up with the midi track.
Assign the synth audio output to MASTER or which ever output your going to send from.
For the audio tracks other than the synth set input to match your patching.
Then set output to "none" to avoid feedback loop.
do not engage INPUT ECHO. ( double insurance)
Now pick an audio track, name it and set it to REC.
Hit play and adjust your level at the interface. Try for a good almost over the top level.
Now record the track.
Repeat for as many modes and interfaces as desired.
I tested using different buffer settings and this had absolutely no bearing on the results. So just use what ever you normally use. I used 44.1/24 .
post edited by Cactus Music - 2016/11/01 23:23:57