Theodor Kruger's Sonar 4 pianoroll workflow for X1?

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Seth Perlstein [Cakewalk]
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 17:07:42 (permalink)
mike_mccue



"adeptness with the software"


I think he is showing that you CAN be adept with Cakewalk SONAR.

Can you imagine if he showed drum maps????

That would be like hitting a home run out of the park!!!


Anyone can be adept with SONAR, or any other tool for that matter. Being good at something doesn't demonstrate the merits of the tool, but rather the merits of the operator.
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 17:23:50 (permalink)
Seth Perlstein [Cakewalk
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All of his editing, drawing, erasing, CC drawing, etc. can be done in any DAW, AFAIK. I think that he's really showing is his individual musical ability and adeptness with the software, rather than demonstrating how powerful the software is itself. 

Oddly, the fact that it CAN be done in any DAW is what makes it valuable, to me at least.


Adding the coolest features in the world is valueless without a workflow that makes them useful. Just seeing this guy do bread and butter sequencing without any bells and whistles is very inspiring. I've already picked up a few tricks just by watching the vidz.


This is all a win-win as far as I'm concerned.

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#32
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 17:52:42 (permalink)

Back when all of the new hardware step sequencers were toys... the advent of a PRV was considered an evolutionary step forward... and it still is.
 
MIKE: I'm a guitar player that traveled week after week and spent too many days locked up in dingy hotel rooms during the 80's. A Tascam Porta-Studio & Roland drum machines (606, 808, 909 & 707) were my drug of choice! Those Rolands were the original Step Sequencers and I'm sure Phil Collins never referred to any of those as toys :)  
 
Trust me - some of us get really inspired by the step sequencer! It's a natural for creating drum tracks.
The SS in Sonar is the same approach as those older drum machines, but with a lot more power and flexibility. 
 
You are entitled to your opinion when you keep calling it a toy - but I'll have to disagree.

Don't fix it in the mix ... Fix it in the take! 
 

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The Maillard Reaction
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 18:15:52 (permalink)
Seth Perlstein [Cakewalk
]

mike_mccue



"adeptness with the software"


I think he is showing that you CAN be adept with Cakewalk SONAR.

Can you imagine if he showed drum maps????

That would be like hitting a home run out of the park!!!


Anyone can be adept with SONAR, or any other tool for that matter. Being good at something doesn't demonstrate the merits of the tool, but rather the merits of the operator.


That is simply pitiful.

Why don't you take a moment, drop what you find disagreeable, and consider the following:

Cakewalk has spent a bunch of money and generated lots of ill will while trying to address some people's concern that Cakewalk seems confusing and difficult to master... and now someone demonstrates how simple it is to master Cakewalk SONAR and you respond in this fashion???

Cakewalk has been waging a futile feature list war with an imaginary foe for several years. Cakewalk could be focusing on teaching, and showing by example, just how easy it is to push SONAR to the very edge of the potential of any DAW.

Frankly, If I could edit MIDI half as easily in Pro Tools as I can in Cakewalk... I'd probably be a full time Pro Tools user.

The idea that many existing Cakewalk customers and many potential customers find SONAR confusing is directly related to a lack of demonstration by example on of just how to make complex music within SONAR.

With the exception of the recent video work in Step Sequencer and Audio Snap most of Cakewalk's presentations amount to show and tell demonstrations of feature lists... and when the demonstrations occasionally demonstrate the creation of actual content the focus has always been on least common denominator, industrial grade background music intended to be made as quickly and inexpensively as possible.

Now, we all get to see a fully realized musician make the very most of SONARs capabilities and your response is "all of his editing, drawing, erasing, CC drawing, etc. can be done in any DAW".

Well, I doubt he choose SONAR just because it was pretty.

Many of us know that SONAR is the very best DAW... you should too.

I hope you consider what I have said in the absence of what ever details you disagree with because that demonstration and the discussion of the nitty gritty details about editing in PRV exemplifies the types of thoughts people like myself, people who have purchased 10 or more upgrades, think about when we are presented with each latest version of SONAR.

I have stated several times that Cakewalk seems intent on catering to people who have yet to imagine what SONAR is already capable of doing, and I have been critical of the fact that Cakewalk has been sluggish to develop improvements at a highly detailed level of functionality because it is focused on big broad easy to understand features that, in my opinion, amount to a dilution of the potential that SONAR has represented.

Viewing these videos should be happy occasion for both of us to agree that SONAR is a state of the art DAW.

Maybe we can agree to disagree about the Doctor Rhythm feature that Cakewalk calls the step sequencer? :-)

I'll stop before I get myself kicked off the forum.

Good night... I'm off to dinner.

all things considered, I wish you the very best regards,
mike




#34
Susan G
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 18:27:11 (permalink)
Hi Seth-
Having said that, I don't know if he's really showing any SONAR specific features in the PRV, unless other DAW's PRVs can't show multiple MIDI tracks and switch between them on the fly like that (I don't know).

All of his editing, drawing, erasing, CC drawing, etc. can be done in any DAW, AFAIK. I think that he's really showing is his individual musical ability and adeptness with the software, rather than demonstrating how powerful the software is itself.


Actually, I've seen this video used as an example for other DAWs (in their forums) of exactly that -- how powerful SONAR's PRV is (or was, I don't have X1 yet).

Yes, the end result can be achieved in most DAWs, but not with the elegance and ease demonstrated in Theodor's video, not by a long shot.

IMO, he was most definitely demonstrating the power of the software itself (along with his considerable skills, of course).

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#35
A1MixMan
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 18:43:27 (permalink)
Wow Lunatique! Thank you thank you thank you for posting this! It's like looking into the mind of Beethoven!

A1
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Seth Perlstein [Cakewalk]
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 19:22:23 (permalink)
Mike,

With all due respect, I completely and utterly disagree with you about the Step Sequencer and the quality of our videos, but that's way off topic of this thread. The reason I chimed in was because you originally asked, "why doesn't Cakewalk make videos of this quality".

As one of the people who makes videos for Cakewalk I took that personally being that the production values of of this thread's videos are extremely low.

If our videos looked like that, frankly, I would be out of a job!

The rest of your post, I just don't have the time or energy to respond to.

Have a nice dinner.
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DeveryH
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 19:25:16 (permalink)
mike_mccue


Seth Perlstein [Cakewalk
]

mike_mccue



"adeptness with the software"


I think he is showing that you CAN be adept with Cakewalk SONAR.

Can you imagine if he showed drum maps????

That would be like hitting a home run out of the park!!!


Anyone can be adept with SONAR, or any other tool for that matter. Being good at something doesn't demonstrate the merits of the tool, but rather the merits of the operator.


That is simply pitiful.

Why don't you take a moment, drop what you find disagreeable, and consider the following:

Cakewalk has spent a bunch of money and generated lots of ill will while trying to address some people's concern that Cakewalk seems confusing and difficult to master... and now someone demonstrates how simple it is to master Cakewalk SONAR and you respond in this fashion???

Cakewalk has been waging a futile feature list war with an imaginary foe for several years. Cakewalk could be focusing on teaching, and showing by example, just how easy it is to push SONAR to the very edge of the potential of any DAW.

Frankly, If I could edit MIDI half as easily in Pro Tools as I can in Cakewalk... I'd probably be a full time Pro Tools user.

The idea that many existing Cakewalk customers and many potential customers find SONAR confusing is directly related to a lack of demonstration by example on of just how to make complex music within SONAR.

With the exception of the recent video work in Step Sequencer and Audio Snap most of Cakewalk's presentations amount to show and tell demonstrations of feature lists... and when the demonstrations occasionally demonstrate the creation of actual content the focus has always been on least common denominator, industrial grade background music intended to be made as quickly and inexpensively as possible.

Now, we all get to see a fully realized musician make the very most of SONARs capabilities and your response is "all of his editing, drawing, erasing, CC drawing, etc. can be done in any DAW".

Well, I doubt he choose SONAR just because it was pretty.

Many of us know that SONAR is the very best DAW... you should too.

I hope you consider what I have said in the absence of what ever details you disagree with because that demonstration and the discussion of the nitty gritty details about editing in PRV exemplifies the types of thoughts people like myself, people who have purchased 10 or more upgrades, think about when we are presented with each latest version of SONAR.

I have stated several times that Cakewalk seems intent on catering to people who have yet to imagine what SONAR is already capable of doing, and I have been critical of the fact that Cakewalk has been sluggish to develop improvements at a highly detailed level of functionality because it is focused on big broad easy to understand features that, in my opinion, amount to a dilution of the potential that SONAR has represented.

Viewing these videos should be happy occasion for both of us to agree that SONAR is a state of the art DAW.

Maybe we can agree to disagree about the Doctor Rhythm feature that Cakewalk calls the step sequencer? :-)

I'll stop before I get myself kicked off the forum.

Good night... I'm off to dinner.

all things considered, I wish you the very best regards,
mike


And here I thought it was tough to live inside my head.....

Jeesh.
#38
Crg
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 19:45:15 (permalink)
I think he raises some excellent points, and I was wondering if anyone else around here agree with him? Could we think of ways to optimize X1 for speedier pianoroll composing?

 
That was totally amazing Lunatique. But I'm not quite sure what points you say he's raising. Are you saying these techniques are no longer available upwards of of Sonar 4? I've never been aware of the drawing ability in the controller lanes etc. That is pretty much all I see missing in the current PRV. I'll have to try that in X1-8.5.3 to see. I wish I was that fast.

Craig DuBuc
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Seth Perlstein [Cakewalk]
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 19:51:38 (permalink)
Crg



I think he raises some excellent points, and I was wondering if anyone else around here agree with him? Could we think of ways to optimize X1 for speedier pianoroll composing?

 
That was totally amazing Lunatique. But I'm not quite sure what points you say he's raising. Are you saying these techniques are no longer available upwards of of Sonar 4? I've never been aware of the drawing ability in the controller lanes etc. That is pretty much all I see missing in the current PRV. I'll have to try that in X1-8.5.3 to see. I wish I was that fast.
Craig,

You can still draw in controller data in the PRV lanes. Now it requires holding the modifier key of Alt when you click with the Smart Tool.


#40
Crg
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 19:54:53 (permalink)
Seth Perlstein [Cakewalk
]

Crg



I think he raises some excellent points, and I was wondering if anyone else around here agree with him? Could we think of ways to optimize X1 for speedier pianoroll composing?


That was totally amazing Lunatique. But I'm not quite sure what points you say he's raising. Are you saying these techniques are no longer available upwards of of Sonar 4? I've never been aware of the drawing ability in the controller lanes etc. That is pretty much all I see missing in the current PRV. I'll have to try that in X1-8.5.3 to see. I wish I was that fast.
Craig,

You can still draw in controller data in the PRV lanes. Now it requires holding the modifier key of Alt when you click with the Smart Tool.


Great! So what is the point he's making?

Craig DuBuc
#41
...wicked
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 20:01:45 (permalink)
Seth Perlstein [Cakewalk
]

Mike,

With all due respect, I completely and utterly disagree with you about the Step Sequencer and the quality of our videos, but that's way off topic of this thread. The reason I chimed in was because you originally asked, "why doesn't Cakewalk make videos of this quality". 


Fight! Fight! Fight! 


If it's any help, I too what he meant to mean the content and intent of the vid, not that actual production quality of the video itself. Surely in that context you've got a right to be proud and corrective. In the last year in particular the SONAR vidz have really been kicking ass. (how about another Master Class? That drum production vid was the best yet).


As a "bird on the shoulder" vid, I find these really great for content. Believe you me if you had a well shot and commented vid of one of the Bakers just kickin' some ass on a sequencing session we'd all eat it up.



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#42
Kroneborge
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 20:49:46 (permalink)
I also think it's easier to do drums in the PRV.  After watching the drum master class, I tried to use the step sequencer, but it seemed to take longer to me.   Plus I use battery a lot which often has a ton of different sounds in the kit.

Anyway, that video was awesome.   I have actually tired to use PRV like this before, but now I can see how it should really be done !


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#43
jerrypettit
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 21:16:11 (permalink)
The most worthwhile Cakewalk videos I have ever seen, by a factor of 10.

Thanks for the links!
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windsurfer25x
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 22:11:29 (permalink)
Wow!!!!!

That was awesome! I watched some of that guys other videos too, that guy has some serious skills.. and those videos really do show the POWER of the PRV and are very inspiring

So clearly he is using a lot of key bindings, how do you copy and paste so fast in the PRV without that annoying window that pops up with parameters when all you want to do is copy and paste?



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HumbleNoise
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 22:17:20 (permalink)
windsurfer25x


.... how do you copy and paste so fast in the PRV without that annoying window that pops up with parameters when all you want to do is copy and paste?


Just lasso MIDI notes hold cntrl key and drag/copy to new location.

Humbly Yours

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#46
Lunatique
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/08 23:15:52 (permalink)
Just so you guys know, he's got videos where he's composing drums in the PRV too.

I'm a drummer and I've been composing drum tracks in the PRV for many years, and I have to say that the Step Sequencer is really only useful when you have a typical simple drum track, and as soon as you want to compose the kind of drum playing that skilled drummers do, the Step Sequencer becomes more problematic than helpful. For example, on let's say I want to sprinkle snare rolls here and there and need to have the notes divide down to 32 or even 64 notes--I can't just do it in one spot and must turn the entire sequence into those note values and that dramatically makes the whole thing far more confusing than should be. In the PRV, I simply choose the note value I want and then place the rolls in the exact areas I need and they won't disturb any of the other areas. Also, if I want to edit the velocity by drawing smooth transitions, such as a snare or cymbal roll, I just hold down shift and draw a line. I can also change the tempo map while keeping the entire drum track in view and edit the tempo map in the correct visual/editing context that's more intuitive than looking at a measure of a drum loop in the Step Sequencer. Also, in the PRV, I can access the entire 88-keys of the keyboard when they've got drum articulations/sounds fully loaded much easier.

CRG - The issues that he raised can be seen in the comments section of the first video. He mentioned the reasons why he stayed with Sonar 4 since subsequent versions made changes that screwed up his efficient workflow.

As for Cakewalk being defensive, I think it's actually a better mentality to see this as a positive--that a user of Sonar is inspiring a whole bunch of people showing what can be done. Why not embrace this? In fact, you guys can even hire him to design some killer tutorials videos for Cakewalk. His talent plus your production value will result in some of the most mind-blowing videos ever made in the history of DAW development.

BTW, I've been in contact with him for a while now, and I could invited him into this thread so he could answer questions and share his thoughts. In fact, all of you can invite him to come and talk to us since you can just message him from his youtube profile.
post edited by Lunatique - 2011/02/08 23:22:24

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#47
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 03:49:28 (permalink)
LunatiqueCRG - The issues that he raised can be seen in the comments section of the first video. He mentioned the reasons why he stayed with Sonar 4 since subsequent versions made changes that screwed up his efficient workflow.

 
I know it was way back on page 1 so you probably missed it, but when you bumped for more comments, I responded and addressed some of those critiques that I think were a little off target.
 
I wanted to add that I'm a little curious about "I'm a drummer and I've been composing drum tracks in the PRV for many years". This sounds very similar to another poster's comment that he's a piano player, and therfore "lives in the PRV". Both these statements strike me as odd. I wouldn't have expected that any musician with chops on an instrument for which good controllers exist would spend a lot of time composing for that instrument in the PRV.
 
I play keyboards, and that's how I get most of my material into SONAR. I don't care how fast you are with a mouse; playing live and tweaking the performance will always be faster, more efficient, and yield more genuine dynamics and articulations than drawing in the PRV if you've mastered the appropriate controller for the part you're recording.
 
I can see why orchestral composers  and non-players might prefer working in the PRV, but pianists and drummers? Just wondering.
 
P.S.  I'm getting a 404 on your web link.
 
#48
Lunatique
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 04:22:06 (permalink)
brundlefly - I think the reason is simply that the PRV allows detailed editing of each note, its length, velocity, timing...etc. As well as some of us might be able to play an instrument, we are not perfect and we make mistakes, and sometimes a great take would have a couple of weaknesses in it that could easily be fixed in the PRV, so instead of sacrificing that great take, we might as well keep it and simply fix its minor problems.

Another reason is simply that being able to play an instrument well and being a master at it are two very different things, and often we'd be composing a part that would require a master musician to be able to perform well, and unless we're willing to spend a very long time practicing that part until we're able to get it in one perfect take (or multiple takes pieced together), it's far easier/faster to just input the notes in the pianoroll. If you know what you're doing in the pianoroll, you'll still be able to make that part sound natural and human, since all performance parameters can be deconstructed/reconstructed (but I agree that the "feel" and the "vibe" sometimes is best captured by a real-time performance than constructed one note at a time. This is why I almost always play my drum parts using a Zendrum and then do editing on the recorded part later as needed.

Thanks for letting me know about the linking problem. I've fixed it.


post edited by Lunatique - 2011/02/09 04:23:56

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#49
Crg
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 07:14:53 (permalink)
I read the comments just now. I'll have to try this in X1. In 8.5.3 I could get rid of the controller data and show only notes. I think he should do some official Cakewalk tutorials but they would have to be slowed down a bit. It's rather hard to see what he actually does at some points in the process where he selects instruments and uses key bindings that he doesn't explain. To someone who is experienced with Sonar and the PRV it might be obvious but to a new student, I'm sure those vids would leave them with the trout look. I could barely keep up with what he was doing but I doubt I could recreate those steps on my own the first time. Explaining those steps as they were implemented in real time would add a lot of content to the videos. At any rate, the videos were great. The guy is certainly a master and I'm sure he could shed some light and find the proper ways to do the same things in X1.

Craig DuBuc
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The Maillard Reaction
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 07:53:11 (permalink)

"I wanted to add that I'm a little curious about "I'm a drummer and I've been composing drum tracks in the PRV for many years". This sounds very similar to another poster's comment that he's a piano player, and therfore "lives in the PRV". Both these statements strike me as odd. I wouldn't have expected that any musician with chops on an instrument for which good controllers exist would spend a lot of time composing for that instrument in the PRV."


I never said I was a good drummer.  :-)

I play acoustic drums into SONAR... I play my eDrums into SONAR... and I write drums in PRV.

What you have just said is roughly equal to telling Mozart that you are surprised to learn that he wrote music on a staff when he could have just played it.

The reason I began writing drums on PRV is that I wanted to investegate the nature of perfect timing vs human feel. I personally learned a lot and have formulated some personal opinions that are valuable to me... and those opinions could have only been formed by having the experience.

I have learned that the velocity editing seems vital to providing a human feel and that there is nothing dehumanizing about perfect timing.

The exercise has also let me catch up to the sight read drum chart drummers in that now I finally understand the patterns that I play in a context of being able to imagine the pattern abstractly in my mind.

This has helped both my real life drumming and my ability to write in PRV faster and more effectively.

Furthermore writing perfectly timed drums in PRV has provided me with an excellent foundation to play my other instruments against... and so it has helped my timing in all my musical endeavors.

SONAR's PRV is an excellent environment to write drum parts in... it's like an early 1980's Boss by Roland Doctor Rhythm on steroids And the best part is that any time you wish you may go out to track view and leverage all of SONAR's cool sequencing features like looping, cut and paste, tempo editing, groove etc.

In fact, the last time I demonstrated here at the forum the free playing of some drums and an attempt to make a cool groove loop out of it I was castigated for not simply dong it the easy way and writing a loop in PRV. I was also questioned as to why I didn't free play to a click. I explained that I wanted to get a human feel and that I played by ear and feel with no click at 95.62 bpm on a 96 bpm project... because I'm not a great drummer... merely adequate. On that day I really wanted to return to the use of a bit of *humanized* swing and I wanted it to come from my playing rather than hand edited PRV.

Often times I write in PRV because the results are so easy to anticipate and the resulting track makes an ideal click track for the song project it is being prepared for.

If I was just a drummer I might insist on playing acoustic drums every time but I am primarily a sound tech that wears many other hats over the course of a production cycle so it's not vital to my ego that I play a part I can easily write.

Furthermore If I only played acoustic drums I would use Pro Tools and Beat Detective which is far superior to Audio Snap for working with drums. It has features made expressly to work on multi tracked drum parts.

Rather than extracting a groove from a single track, Beat Detective lets you create a single groove from identified beats on any track you wish and this is vital to keeping every thing phase aligned in the microphone bleed. You can mark the 1 on the kick track and the 2 on the snare track and there is no ambiguity when you conform all the tracks.

When I explained that "I am a drummer and I write in PRV" it was to qualify the statement that I feel like PRV offers much more power and the ability to express intent than other grid based systems some people use to set up a drum track.

When I read someone say I am a pianist and I live in PRV I think it makes sense, to me, in the same way that a traditional musician might feel completely at home in a staff view.

Does any of that make sense?

All the best,
mike


#51
The Maillard Reaction
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 07:58:32 (permalink)
Crg


I read the comments just now. I'll have to try this in X1. In 8.5.3 I could get rid of the controller data and show only notes. I think he should do some official Cakewalk tutorials but they would have to be slowed down a bit. It's rather hard to see what he actually does at some points in the process where he selects instruments and uses key bindings that he doesn't explain. To someone who is experienced with Sonar and the PRV it might be obvious but to a new student, I'm sure those vids would leave them with the trout look. I could barely keep up with what he was doing but I doubt I could recreate those steps on my own the first time. Explaining those steps as they were implemented in real time would add a lot of content to the videos. At any rate, the videos were great. The guy is certainly a master and I'm sure he could shed some light and find the proper ways to do the same things in X1.


If I was a video producer I might demonstrate the full speed process in an intro, just to WOW the audience, and then go back with a slow - motion play by play treatment.

Once you have captivated the viewers attention, demonstrated the applicability of the lesson, and inspired them to aspire to work that effectively, it is likely they will want to know all the details.

I wouldn't even bother wasting 20 seconds flying a logo in over a sound font.... save that for the credit roll.

best regards,
mike






#52
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 12:27:02 (permalink)
Lunatique...sometimes a great take would have a couple of weaknesses in it that could easily be fixed in the PRV, so instead of sacrificing that great take, we might as well keep it and simply fix its minor problems.



That's exactly what I'm advocating. Play it live and tweak it. But, with few exceptions, if I have to fix more than a few muffed notes/velocities here and there or tighten up the timing a little, it's easier to do another take or punch in a section than to spend more time in the PRV (which isn't as enjoyable as playing, anyway).


As for composing things that I'm not capable of playing, that's rare for me - not because I'm such a great player, but simply because my musical imagination seems to be limited to my technique. I realize this is not true for everyone, but I think it's uncommon for people to have really brilliant and complex musical ideas that they would not be able to execute more easily on a controller, maybe recording at a lower tempo if necessary or recording parts or sections separately that a better player would be able to perform simultaneously or in one continuous take.


Bottom line is that I think a lot of PRV composers/editors would benefit from taking some of the time they spend in the PRV and applying it to learning to play a controller, or to play it better.






#53
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 12:44:12 (permalink)
mike_mccue



"I wanted to add that I'm a little curious about "I'm a drummer and I've been composing drum tracks in the PRV for many years". This sounds very similar to another poster's comment that he's a piano player, and therfore "lives in the PRV". Both these statements strike me as odd. I wouldn't have expected that any musician with chops on an instrument for which good controllers exist would spend a lot of time composing for that instrument in the PRV."


I never said I was a good drummer.  :-)

I play acoustic drums into SONAR... I play my eDrums into SONAR... and I write drums in PRV.

What you have just said is roughly equal to telling Mozart that you are surprised to learn that he wrote music on a staff when he could have just played it.
Mike, I certainly appreciate your viewpoint, but the quote i from Lunatique's post, and I meant to respond primarily to her though i did generalize my comment a little.

 Anyway, I think the Mozart comparison is a red herring. He's an outlier; there aren't too many Mozart's running around here that I've noticed.    Also, and more importantly, Mozart didn't have to rely on a computer playing his music exactly as written. He had a conductor and live players interpreting the written music and adding all of the timing and dynamic nuances needed to fully realize his aural "vision". And I imagine if he could have had a machine write down what he played in real time, he would have done a lot of his writing at the keyboard.


 
#54
The Maillard Reaction
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 12:59:10 (permalink)
edit to add:I was writing while you were writing... this is not a direct response to your last post.


What if your intention is to end up with perfectly quantized drumming?

Or perfectly quantized piano playing?

What if you spent your whole life convinced that music only sounds correct if the timing drifts.

What if you felt that way but you never investigated what it sounds like if you do your personal best to write it exactly on a grid? That would make you, technically speaking... ignorant.

That is exactly where I was 5 or 6 years ago and I said "WTF, I'm going to buy a book of drum charts and take writing drum parts seriously for once in my life."

The experience has left me with a personal, and informed, opinion about how perfect timing relates to whether or not a part sounds *humanized* or not.



Furthermore who are any of us to say that someone who aspires to function as a composer has to be able to play well?

When I worked with Daniell Revenaugh and Carlisle Floyd we recorded Mr. Floyd's sonata for piano, a composition that very few people on the planet can play, let alone play well. Certainly Mr Floyd can't play it to his own expectations but he can hear every nuance in his mind. It was written as a commission for a virtuosic pianist in the late 1950's... two years ago it was recorded for the very first time since it was written while it was performed by Mr. Revenaugh.

I have friends that write charts for Big Band... they have no intention or desire to play a fake horn part on a sampler. They write in staff or PRVs and use the sampler as a convenience. Even if they are accomplished pianists, and some are, they have no agenda to further their skills as a keyboard player comping horn parts.

On the other I have an friend who just moved back from L.A. after working on a string of chart topping urban singles... he both produced, engineered and wrote charts for backing tracks with everything from horn sections to symphonic sessions. He has returned to FSU and is earning a masters in piano performance. He's studying modern period classical intensely and will need to play a great recital to matriculate.

Everyone works at their own pace... which is why some folks prefer Step Sequencer to PRV. :-)

all the best,
mike
post edited by mike_mccue - 2011/02/09 13:32:08


#55
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 13:22:43 (permalink)
What if your intention is to end up with perfectly quantized drumming? Or perfectly quantized piano playing?



Record, Perform, Select, Quantize. I do it all the time. 


Like you, I find that dynamics are more important to the expressiveness of a performance and avoiding a "robotic" feel than is timing variability... with one important exception: I never quantize durations. To me, quantized durations and fixed or artificially "humanized" velocities are the greater evil in writing in the PRV than are perfectly quantized start times.

And, as I mentioned regarding Mozart, writing for other performers is a whole different deal. I'm talking mostly about SONAR users who are writing parts that will ultimately be played by synths, which I'm supposing is the large majority around here.

I'm not saying the PRV has no place by any means. I use it all the time. I just think there are too many users relying on it too heavily when they could be working more efficiently and producing better-sounding music by recording from a controller to start with.






#56
The Maillard Reaction
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 13:29:23 (permalink)
I always enjoy and admire your ability to represent your opinion in a positive manner.

I also enjoy and appreciate the fact that you share an expertise in SONAR with so many of us.

very best,
mike


#57
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 13:34:49 (permalink)
mike_mccue


I always enjoy and admire your ability to represent your opinion in a positive manner.

I also enjoy and appreciate the fact that you share an expertise in SONAR with so many of us.

very best,
mike
Likewise, Mike.


Incidentally, I sincerely wish my PC keyboarding and composition chops were as sharp as yours, so I wouldn't have to spend so much time in the TEV (Text Editing View) fixing clams and adding nuance to my posts, rather than just expressing myself in real time. 

#58
Kroneborge
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 13:59:43 (permalink)
"'m not saying the PRV has no place by any means. I use it all the time. I just think there are too many users relying on it too heavily when they could be working more efficiently and producing better-sounding music by recording from a controller to start with. "

Except of course that it takes most people years to be REALLY good with a musical instrument.   So we are left with a choice of either wait till we are good enough players to make music, or to use PRV.

For me, I do a combination of both.   I'm slowly trying to get my keyboard skills up to the point where I can play kind of in time.   But my fingers have a mind of their own.   Often times I do try and play in simpler parts, but pretty much everything gets edited in PRV.

Also after watching those video's, I'm thinking by using PRV to compose parts for multi instruments at once, I can really expand my song structure by seeing how everything fits together.



Mathew

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#59
brundlefly
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Re:Theodor Kruger's Sonar 4 pianoroll workflow for X1? 2011/02/09 14:19:36 (permalink)
Except of course that it takes most people years to be REALLY good with a musical instrument.   So we are left with a choice of either wait till we are good enough players to make music, or to use PRV.



Understood. Or you can defy the tyranny of the false dichotomy, and spend half your time composing in the PRV, and the other half learning to play what you've composed.









#60
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