I've used Trans-X on picked steel-string acoustic guitar to soften transients. That's the only application I can think of where it was more effective than other tools.
It's frankly never occurred to me to use it on vocals, as transients aren't usually a problem with vox. But then I don't think of Trans-X as a creative tool but as a corrective aid. You've given me something new to try, ol' pal!

All else is in doubt, so this is the truth I cling to.
My Stuff