mtgonzalez
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Using outboard equipment for mixing and mastering
what are some ways you can send the stereo bus or a stereo track in Sonar to a piece of outboard equipment (compressor) for mixing or mastering purposes then back into the Sonar project?
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The Maillard Reaction
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Re:Using outboard equipment for mixing and mastering
2012/05/17 17:53:45
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The Maillard Reaction
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Re:Using outboard equipment for mixing and mastering
2012/05/17 18:05:48
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A primary consideration is to determine if you are using analog or digital outboard gear. If you are using all analog outboard gear the round trip latency is compensated for automatically by SONAR. (with the caveat that many ASIO drivers need to use the manual input in the SONAR audio options dialog) If you are using digital effects like multi-fx or reverbs you can also compensate for their latency which is usually a minimum of 1.2ms. SONAR has some features for that... but I don't have any digital outboard so I don't know much about it. You may also just nudge manually. Additionally, some aficionados of digital outboard like the latency delay and relate it to the same effect they have in live play. It easier to mix with all the other stuff if the delay is compensated for. A good place to start is too patch up a loop and then do a round trip ping test to judge your system latency and correction and then you go from there. best regards, mike
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mtgonzalez
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Re:Using outboard equipment for mixing and mastering
2012/05/17 18:23:21
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I think I need to clarify what I'm trying to do. I record a song with 10 tracks > bounce to a stereo mix > somehow send that stereo mix to my tube pro channel pre-amp/compressor/eq and make corrective adjustments > then back to my daw so that I can record corrective adjustments as a separate stereo track. I guess i'm trying to learn how to add outboard gear to the per-production phase
post edited by mtgonzalez - 2012/05/17 18:25:19
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AT
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Re:Using outboard equipment for mixing and mastering
2012/05/17 22:53:17
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If your tube pro channel is stereo and has line inputs you can simply "mix" through it or master through it. Send the mixed stereo (it doesn't matter if it is a 10 track mix or a bounced stereo track) output through your interface to the said tube thing. Patch a pair of cables from the tube thing ouput back into your interface and record that signal just like any. If you are mixing through it, you may have to alter your mix when you hear the tube thing on it. If you are sending a bounced master file through it that is less likely but might happen. If your tube thing is mono, things get a lot harder and less stable, since you are trying to balance a mix a channel at a time. @
https://soundcloud.com/a-pleasure-dome http://www.bnoir-film.com/ there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head. 24 And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
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bandontherun19
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Re:Using outboard equipment for mixing and mastering
2012/05/17 23:04:33
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Outboard equipment is ok? But I like rowing and paddling.
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mtgonzalez
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Re:Using outboard equipment for mixing and mastering
2012/05/18 14:02:31
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AT - thanks for your post, perhaphs you can look at the back of the gear I running and see if what you discribed would work Audio Interface ProChannel Tube thing and for giggles, my mixer Currently I have a the ProChannel on Mixer Ch 8 which is link to Ch 8 on the audio interface. I use ch 8 for vocals
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The Maillard Reaction
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Re:Using outboard equipment for mixing and mastering
2012/05/18 14:24:06
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You can for example; Take a cable from Out 3, and Out 4 and send that to some stereo device. Take the stuff you want to send in SONAR to the Pro Channel tube thing (you'll need 2 Pro Channel tube things) and either select the output as stereo Out 3 / Out 4, or you can add Sends and assign them to Stereo Out 3 / Out 4. (If you only have one Pro Channel it's gonna be a lot more work to use it on a stereo source that you want to keep stereo. I guess you'd have to take multiple passes and choose mono outputs.) In general. you will take the stereo output from the outboard device and connect it's outputs to 2 inputs on the Audio interface and record them while you play back the project just like it is an overdub. best regards, mike
post edited by mike_mccue - 2012/05/18 14:26:36
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mtgonzalez
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Re:Using outboard equipment for mixing and mastering
2012/05/21 18:08:31
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Just picked up an Alesis 3632 Dual Ch Compressor. Looking forward to hooking it up and doing some mixes
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The Maillard Reaction
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Re:Using outboard equipment for mixing and mastering
2012/05/21 22:39:26
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Cool! That should be a lot of fun and experimentation. I hope you enjoy. best regards, mike
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AT
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Re:Using outboard equipment for mixing and mastering
2012/05/22 01:09:14
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As you add more outboard, a patchbay really helps things. Mixers w/o inserts are like ... well, I shouldn't say on a family site. Same w/ preamps in an interface. My TC unit doesn't have inserts which is a bummer, since the preamps are actually pretty good. As Mike says, you need another tubey compressor for stereo work. You can run one side of the stereo through your single channel at a time, but that introduces problems of its own. Still, it has been done. You can also use the EQ for some gentle shaping, while using software for more precise correction. I've never heard of the Alesis as a mastering compressor. It is good for effect, pump and grind, but most music styles need something a little smoother for mastering. You can definately use it to run some stereo tracks out in back into your interface as Mike describes. I'd hook the channel strip directly into the interface and skip passing through the mixer unless you need it. Another place where a patchbay comes in handy. See what you've gotten yourself into? The costs never stop. @
https://soundcloud.com/a-pleasure-dome http://www.bnoir-film.com/ there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head. 24 And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
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FastBikerBoy
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Re:Using outboard equipment for mixing and mastering
2012/05/22 02:24:15
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+1 on the above. A patchbay is a real timesaver as external gear builds up. I haven't got that much myself but still find a patchbay useful. I use a Behringer Ultrapatch Pro which does the job and won't break the bank either. I rarely use external gear on the stereo two track but when I have I use insert points on my mixer and then re-record the result back from there.
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mtgonzalez
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Re:Using outboard equipment for mixing and mastering
2012/05/22 20:03:32
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AT, thanks. I'm sending audio out of channel 7 & 8 from my Audio Interface into the Alesis with TRS cables. Then out of the Alesis into my mixer channel 1 & 2 using XLR cables, which is kind of a bummer cause I would have to disconnect the two XLR cables that are coming from my audio snake every time I wanted to send the Alesis signal. But now you got me thinking about using the input on my mixer, using TRS cables to connect from the output of my Alesis. On each channel on my mixer I have a XLR input, a balance/unbalance Input and an Insert I/O’s. The XLR and Input act as audio line in’s and wouldn’t that allow me to leave my snake XLR inputs alone? I've never used a patchbay before, I'll have to look into that $$$$$
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