Sixfinger
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V Vocal Revelation
Yesterday was working with a Female vocalist who has a rich deep tonality to her voice, but when going to certain higher pitches she became a bit thinner and harsh. What I discovered is that useing the Formant control in v vocal ( no pitch correction, formant only) I was able to dial in a matching full bodied tone! A nice discovery for us both, just wanted to share.
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listen
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Re:V Vocal Revelation
2012/05/11 11:44:52
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stevec
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Re:V Vocal Revelation
2012/05/11 12:24:57
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Nice! So was the difference fairly artifact free? I've never used the VV Formant control much myself...
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Sixfinger
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Re:V Vocal Revelation
2012/05/11 12:41:24
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Really in this situation it was perfection, no artifacts at all. Keep in mind the amount of Formant change needed was very little. A hair too much was obviously wrong, but given a gentle touch I had one happy singer, and a good feeling of discovery for myself.
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stevec
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Re:V Vocal Revelation
2012/05/11 13:25:18
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Great, thanks. One more good idea to store in the mental vault...
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musicroom
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Re:V Vocal Revelation
2012/05/11 14:15:18
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Sixfinger Yesterday was working with a Female vocalist who has a rich deep tonality to her voice, but when going to certain higher pitches she became a bit thinner and harsh. What I discovered is that useing the Formant control in v vocal ( no pitch correction, formant only) I was able to dial in a matching full bodied tone! A nice discovery for us both, just wanted to share. I would love to hear the a/b example, maybe 10secs or so if you have the time. I find this to be very cool indeed. Either way - thanks for the tip! Between audiosnap and vvocal, I'm not sure which one I'm more clumsy with using. :)
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konradh
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Re:V Vocal Revelation
2012/05/11 15:13:33
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This is interesting to me for a couple of reasons: 1. I found that moving notes in Melodyne maintains a more realistic and correct formant without the need to tweak, unless you move notes way out from the original pitch. 2. On the other hand, when I use V-Vocal to change the formant, it usually sounds good if I don't go crazy with it; whereas, I have never been able to tweak Melodyne formants without getting a bad sound like a wrong tape speed. What am I saying is that Melodyne seems to default better but editing in V-Vocal has better results. I have no idea why or even how that would be true, but I hear it/
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Sixfinger
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Re:V Vocal Revelation
2012/05/11 15:13:46
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Ok I can get something up tomorrow, heading out to a gig soon. One more thing I should mention is I was working on a word or two at a time so I could do just enough as needed.
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Guitarhacker
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Re:V Vocal Revelation
2012/05/11 15:38:42
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That's what the formant is supposed to do. And yes...in Melodyne the formant conforms automatically (if I understand it correctly) so that moving a pitch automatically changes the formant to match so the guesswork is minimized. Moving a pitch a little bit is virtually artifact free. I have moved some notes quite a distance and they remained artifact free. It all depends on the source of the note. That is a good thing to learn... it makes fixing vocals so much easier and gives you the confidence you need to tackle the "off normal" notes.
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MarioD
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Re:V Vocal Revelation
2012/05/11 16:10:44
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Sixfinger, thanx for sharing this. I have the same upper register thin harsh problem with a person I am working for. This may save the day; I would have never thought of this. Thanx again.
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chuckebaby
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Re:V Vocal Revelation
2012/05/11 16:12:10
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musicroom Sixfinger Yesterday was working with a Female vocalist who has a rich deep tonality to her voice, but when going to certain higher pitches she became a bit thinner and harsh. What I discovered is that useing the Formant control in v vocal ( no pitch correction, formant only) I was able to dial in a matching full bodied tone! A nice discovery for us both, just wanted to share. I would love to hear the a/b example, maybe 10secs or so if you have the time. I find this to be very cool indeed. Either way - thanks for the tip! Between audiosnap and vvocal, I'm not sure which one I'm more clumsy with using. :) i was thinking the same thing. post an a.b of 10 seconds. id love to hear the difference.
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Kev999
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Re:V Vocal Revelation
2012/05/11 21:20:24
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Guitarhacker That's what the formant is supposed to do. Indeed. I have sometimes used V-Vocal to create a vocal harmony based on an existing vocal clip. The formant control is certainly needed after transposing a note by a few semitones.
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Bristol_Jonesey
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Re:V Vocal Revelation
2012/05/12 04:00:14
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It's an extremely powerful and flexible part of V-Vocal. I'm really pleased that others are discovering this for themselves. No amount of "V-Vocal works fine on my system" can ever be a substitute for the knowledge you gain from playing around with it yourself. this is the sort of knowledge that sticks rather than learning it by rote. And don't forget the 'T'' (timing) tab. Equally powerful, you can move those errant notes & phrases, eliminate massed 'S' discrepancies and all sorts of things Happy editing!
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Guitarhacker
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Re:V Vocal Revelation
2012/05/12 09:33:31
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Kev999 Guitarhacker That's what the formant is supposed to do. Indeed. I have sometimes used V-Vocal to create a vocal harmony based on an existing vocal clip. The formant control is certainly needed after transposing a note by a few semitones. Melodyne's ability to change the formant as you are moving the note makes this very easy. In this song: http://www.soundclick.com/bands/page_songInfo.cfm?bandID=443134&songID=8575294 I used melodyne to edit the female vocal part. It was sung as unison to the melody I was singing. The very first female part that you hear, which is harmony, was created by moving the notes with melodyne... she starts at 30 seconds to 45 seconds. That part was originally unison.
My website & music: www.herbhartley.com MC4/5/6/X1e.c, on a Custom DAW Focusrite Firewire Saffire Interface BMI/NSAI "Just as the blade chooses the warrior, so too, the song chooses the writer "
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musicroom
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Re:V Vocal Revelation
2012/05/12 19:56:19
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Bristol_Jonesey It's an extremely powerful and flexible part of V-Vocal. I'm really pleased that others are discovering this for themselves. No amount of "V-Vocal works fine on my system" can ever be a substitute for the knowledge you gain from playing around with it yourself. this is the sort of knowledge that sticks rather than learning it by rote. And don't forget the 'T'' (timing) tab. Equally powerful, you can move those errant notes & phrases, eliminate massed 'S' discrepancies and all sorts of things Happy editing! I checked this out more after your post. You're right - thanks for pointing this out.
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