What are you using on vocal Pops?

I am mixing a live show recording of a vocalist and acoustic guitar.  The recording has a fair number of vocal pops and I would like to remove as many as possible.  I know I can draw a quick envelope to remove them but that is tedious.  What are you technics or go-to effects to address this issue?
 
Thanks
 
Joe

You asked what I do and that is to open the track using "tool" into Wave Lab. 
 
Pops are usually visable so you can quickly run throught the track and look for them. 
With most wave editors it's fast repeditive action to either lower the gain for the peak or apply a hi pass EQ which will ussually diminish the pop to a reasonable level. 
Right now for me it's easier to do this in a wave editor as I find Sonar's editing requires more moves to accomplish this. Fine if it's only a few, but 2 hours of audio with these issues can become tiresome if your having to make more than one or 2 mouse clicks to repeat a task. 
 
I look forward to Sonar's forthcoming Wave editor. 

I place the mike below the mouth and infront of the neck, it provides a very rich sound and no pops...I know that doesn't help you now or maybe ever bu5t it may help some.. :)  -S

gswitz
There is some three letter thing in the tool that is on by default. I don't know what that does. Craig? I always turn it off.

ADT - Automatic Double Tracking. Gives a doubled voice effect.
 
As to removing pops at the source, I have a Pauly pop filter. It's REALLY pricey, but it works much, much better than any other pop filter I've tried.

Izotope RX4 works great.

Try running the vocal track through an high pass filter and sweep until you find the frequency at which the pop loses energy. It should be somewhere between 100 and 300 hz. When you find the perfect spot, slap on a multiband compressor with an extreme setting to take care of excess of energy in that frequency range. That should help tame the unwanted low end rumble.

Split each offending plosive into a separate audio clip.
You can then apply a high-pass filter (non-destructively) to each of these plosive clips via Sonar's clip-based processing.  The energy of a plosive is typically going to be below 100Hz.
 
If you insert an FFT display, you'll see a large peak where the energy of the plosive is located.

Anderton
I prefer splitting just before the plosive and applying a fade in. That way you can dial in the exact amount of plosive you want.

That'll work too...   
Got to love tools that are so flexible that there are multiple (good) solutions to a problem.

As luck would have it, I wrote an article in the Cakewalk blog about vocal tips using DSP. The plosive nuking trick is the first one in the article...check it out.

And when finished... send a copy of both the raw take/edited take to the singer and tell them "You need to work on your mic technique, as I spent [x amount of time] fixing this for you."

Craig, Thanks for the tip on the Pauly.  I will definitely get it.  Always better to get one pricey thing that works that ten pieces of junk that end up costing the same.

Nero Wave Editor is freeware now, and it can zoom in and fix spots.
 
Adobe Audition has a ridiculous purchase plan, but only mostly does what Syntrillium's Cool Edit Pro did which was only like $20 back in the day. 
 
Wavelab is cool, and should be for 5 bills.