What is the best FX layout for the master bus?

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Jpok1000
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2011/04/24 12:21:45 (permalink)

What is the best FX layout for the master bus?

Hi all I am looking for some advice as to what's the best layout of effects in the master bus is. For example is it best to have the gate before the compressor then the EQ or what. Also is it wise to use a compressor on all buses i.e kick drum, bass, Hi-hat & so on. 

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    CJaysMusic
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    Re:What is the best FX layout for the master bus? 2011/04/24 14:16:14 (permalink)
    I never used a gate on a master bus.
    The best effects for the master bus is the effects that are needed for that song.

    Basically it can be EQ, Lin MB, Rounding compressor, Peak limiter and frequency analyzer or it can be EQ Compressor, Peak limiter, Frequency analyzer or it can be 100 other combinations.

    The bottom line is use only what is needed and nothing else.
    Cj

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    Jpok1000
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    Re:What is the best FX layout for the master bus? 2011/04/24 16:08:40 (permalink)
    Thanks Just one more thing how much headroom should you leave on average on each track?

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    CJaysMusic
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    Re:What is the best FX layout for the master bus? 2011/04/24 18:08:28 (permalink)
    Jpok1000


    Thanks Just one more thing how much headroom should you leave on average on each track?

    Thats all relative to how loud you want each track in the mix, how many tracks are in the mix and at what level it was recorded
    at. Your asking somethings there is no answer to.
     
    Your track levles are determined by how you want your song to sound. Headroom for each track doesnt really come into play.
    Just do not clip in any stage and record a good signal
    Cj

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    bitflipper
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    Re:What is the best FX layout for the master bus? 2011/04/24 21:13:10 (permalink)
    Headroom on each track is only important insofar as what they all add up to on the master bus. If you end up with 8 to 12 db headroom on the master, then your tracks are fine. If you end up higher than that on the master bus, you won't have much wiggle room left for mastering, so you may want to be a little more conservative on tracks in the future. Most of the time you'll be OK if your individual tracks peak at -12db or less, but there is no hard rule. And it's easy to simply turn the tracks down until you're hitting the master bus at around -12db or so.

    You'll usually have as little processing as possible on the master bus itself. What you stick in there depends on whether you're mastering in place or if you'll be sending your song to someone else to master for you. The latter is recommended if you have commercial aspirations, but most of us are hobbyists who do our own mastering. In that case, you will probably have an EQ followed by a limiter. In some cases you might have an additional compressor in between the EQ and limiter. But if you're going to be sending the song out for mastering, you might not have anything at all on the master bus.


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