Destro
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Why not Sonar?
Just a general observation.....and because I don't look at every piece of software out there I may be off base. BUT......for whatever reason when I do look a the specifications for a VST. Sonar is rarely, I mean RARELY, listed as a supported host system. WHY? DMG just released a new EQ, that I most likely will invest in, they list freakin Garageband, but not Sonar? It's just a minor annoyance, that myself and a buddy of mine, can't help but notice.
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redbarchetta
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Re:Why not Sonar?
2013/03/25 19:43:09
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I know right? I watched the superior drums video up on groove3's website. They had sections on integrations with other big name daws but not sonar.
Rick - Sofware Engineer by trade, Rock Star God wannabe Sonar X3 Producer Roland Octa-Capture M-Audio Fast Track Ultra Boss DR-880 Boss GT100 Line 6 Pod X3 Yamaha HS 50M Focusrite VRM Box Audio-Technica ATH M-50 Various guitars and amps
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Middleman
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Re:Why not Sonar?
2013/03/25 20:01:12
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Just some speculation but Cakewalk is owned by an Asian company and many of the other DAW companies are US based. I would venture to say that Roland has never been a software focused company. You have to connect with the community and the media associated with the DAW market and make it easy to connect with you. Cakewalk was better at this in the past when they were self owned. Additionally, there is something about the Cakewalk VST implementation that many have questioned through the years i.e. features not incorporated, compatibility issues and not adopting the full features sets of the platform etc. Just going by what I have read but it seems there is a strained connection between Cakewalk and the Steinberg due to them being competitors. Why the plug in manufacturers shy away from recommending Cakewalk is a bit strange but, there are many that do.
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redbarchetta
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Re:Why not Sonar?
2013/03/25 20:35:24
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So it's their passive aggressive way of dissing sonar?
Rick - Sofware Engineer by trade, Rock Star God wannabe Sonar X3 Producer Roland Octa-Capture M-Audio Fast Track Ultra Boss DR-880 Boss GT100 Line 6 Pod X3 Yamaha HS 50M Focusrite VRM Box Audio-Technica ATH M-50 Various guitars and amps
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Dude Ivey
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Re:Why not Sonar?
2013/03/25 20:47:36
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I've always wondered the same thing!!
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melmyers
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Re:Why not Sonar?
2013/03/25 21:16:12
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I went to the DMG web site and read the "Specifications" page for the new EQ. There is no specific mention of "supported host systems" there. They do say that Windows system requirements include, "A host that supports VST or VST3, such as: Steinberg Cubase, Steinberg Nuendo" and others...and their Mac requirements include, "A host that supports VST, AU or VST3, such as: Apple Logic, Apple Garageband" and others. Sonar is not on the list, but it is NOT a list of all supported systems. Key phrase, "such as". They simply listed the systems that are top-of-mind for THEM. Or, with sales in mind, maybe they listed only programs that come up light when compared to the array of plug-in's included with Sonar. It is true that we live in such a Pro Tools/Logic/Garage Band world that Sonar users sometimes feel like second-class citizens. That has never kept me from making the music I want to make with Sonar, and in fact, the people who hear my recordings always comment on how great the audio quality is, whether it's a song, jingle or radio commercial. No one has ever said, "That sounds crappy, you must be using Sonar," or "What's wrong with you? You can't succeed with Sonar." I've used Pro Tools and other programs, but Sonar gives me EVERYTHING I need for any recording I want to do. I don't care if others approve of Sonar, or if certain plug-in manufacturers seem to think of it as an also-ran. Maybe some plug-in companies downplay Sonar because it comes with such a load of plug-ins that their outboard plug-ins are mostly unnecessary. It certainly seems to be a goal of Cakewalk's to load up Sonar with so many built-in features that you don't need anything else. That in itself could make plug-in manufacturers feel that Sonar users aren't a big market for them. I have invested heavily in the UAD-2 effects system, but as Sonar delivers more-and-more great plug-in's, I find myself using the UAD-2 less-and-less. Since Sonar keeps coming out with great new plug-in's, like the CA-2A T-Type Leveling Amplifier that they released this past January for not only Sonar X2, but also VST and AU...maybe the plug-in companies see Cakewalk as competition...and they should.
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fitzj
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Re:Why not Sonar?
2013/03/25 21:20:31
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We should go for a user buyout and put Seth, Kelly and Brandon back at the top.
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Spencer
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Re:Why not Sonar?
2013/03/25 22:22:29
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It's fairly simple, people don't take us seriously because we're on Windows. There is a huge bias against windows in the music industry. At my sound tech school in 2005, which was very good btw, we were basically told: just get a mac. I like fast computers and good looking video games so I ignored that advice. Good for me, as sonar is a whole load of fun, even more so since x2, and every other daw I know is a complete snore-fest. I would have switched trades long ago were I stuck in cubase, logic, or god forbid, pt.
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mmorgan
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Re:Why not Sonar?
2013/03/26 00:27:42
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One thing I've noticed is that in many (but not all) cases the list of compatible hosts are Mac/Win compatible unless they are Mac only (such Logic, GB). Regards,
Mike Win8(64), Sonar X3e(64) w/ RME Fireface UFX.
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Boomin36Beatz
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Re:Why not Sonar?
2013/03/26 08:00:32
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let me speculate. ok roland cakewalk sonar usa yamaha steinberg cubase. two big companies of the 80's two pioneers of electronic music with daw software. steinberg did a good job with cubasis vst 32 many functions which were simply unbelieveable for that time 90's and cakewalk is a kinda local matadore the reason why other companies are much more known as sonar is most of the computer music software comes out of europe so its normal that they help and support each other in somekinda way. and roland belong to usa. yamaha was and is domanating here the market in europe by accident i found one day Sonar and was suprised about the functions and immediatly i fell in love with sonar but it was not stable enough for real big studios and data exchange was and is really important. and most studios made their decision because of stability. and another problem of the industry is that they were simply ignorant and did not listen to their customers instead they attack customers with fanboys etc etc. i have called some companies for support and they treated me the (paying customer) like s..t all i can say is customer is king. few weeks ago i have been banned from another forum for starting a simple discussion (topic) i did not use bad words the oppsite was the case they c..t troll flamm etc etc and i could not conter but that shows me that industry manupulates the market in somekinda way they dont wanna hear criticizm all tthey want is yeah boys and pay boys customers even if their products b....l...t since 2010 the market changed dramaticaly and now they get what they earned lol when it comes to Sonar sonar is doing it right it seems to me there were somekinda technology exchange between other soft companies. and sonar with all the products inside makes some companies affraid of it. they want the prices high (cartell) i am from germany and i know alotof other musicians and if they ask me what i use i told them Sonar and they said what they did not know that sonars exists. and thats really sad sonar is fantastic but cakewalk has to stop all the fanboys from polutting threads when a customer has an question which is maybe not nice for... instead they should learn from the experiences of the customer. so plz fanboys and fangirls plz plz plz dont attack me now for my opinion. its only my opinion take it as it is but when you kool users have good argument i ma willing to learn.
post edited by Boomin36Beatz - 2013/03/26 08:14:44
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deanx
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Re:Why not Sonar?
2013/03/26 09:03:38
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I noticed SOS magazine no longer seem to have Sonar in their technique section, at least not in the latest issues i've bought. In March 2013 edition there is a tpw page technique section for Reason, Studio One, Cubase, Logic, Reaper, Pro Tools & Samplitude, but NO Sonar??? They always used to, not sure what's happened???
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FCCfirstclass
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Re:Why not Sonar?
2013/03/26 09:58:34
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The SOS postings were being done by Craig Anderton, also a member of the Sonar Users Forum and who uses Sonar himself, who was promoted to a director of a large company. I hope he has time for reviews, not only here, but in EM as well. Time will tell. I do agree with the Windows/Mac bias supporting Apple and Pro Tools. When my daughter was in HS in 2004, her band teacher told me that PT gives major discounts to schools. He used Sonar personally, but had to teach PT in class. Apple also does the same thing in hopes of being so integrated that no other system need apply.
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Boomin36Beatz
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Re:Why not Sonar?
2013/03/26 10:07:44
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don't know sos maybe cakewalk dont allow magazines publishing tutorials because of their own tutorail series. in most cases look at the impressum probably there you will find the answer for your question. i know only a couple of forums so i cant say much
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dlesaux
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Re:Why not Sonar?
2013/03/26 10:51:06
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Latest issue of SOS does have Craig's Sonar column..
Peace! Daniel Sonar Platinum - 2017.10 and PreSonus Studio One 3.5.5 Windows 10 64 bit Studiocat Skylake Desktop PC with Intel i7 6700k processor @ 4.20 GHz / 16G RAM Focusrite Scarlett 2i2 Audio Interface and Cakewalk UM-2G Midi Interface Check out my website
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AT
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Re:Why not Sonar?
2013/03/26 11:01:24
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SOS, the most successful music tech magazine, has "let" Craig Anderton do tutorials and shops in SOS for the last ten years or so. He also has published similar articles in EM, which he edits (ed?). Craig himself chimed in about the lack of SOS Sonar articles - they aren't dropped he just hasn't had enough time along w/ regular scheduling blanks. Not every previous issue of SOS included the SONAR pieces, which were regularly bumped when Sonar itself was reviewed. Not to mention there used to be 4-5 mainstreamed DAWS. Reason, Reaper and Studio One have been added to the tips/techniques section and despite its success, SOS has only a limited number of pages it can publish. And yes, there is still a mac-centric view in the arts world, inlcuding music, video and publishing. Several DAWs have migrated from the PC to Apple, while few have migrated to the PC (and PT rather unsuccesfully). In the beginning, most if not all the professional programs were Apple, and most professional stuidos have stuck with it despite the cost advantage of PCs. A lot more PC systems are out there, simply because most people use PCs because of business and, at home, the price. If you intend to work in a pro studio, you had best learn apple/PT. Otherwise, you can use anything else, and many pros use both systems. The PC stigma is still there for others, however. @
https://soundcloud.com/a-pleasure-dome http://www.bnoir-film.com/ there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head. 24 And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
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Boomin36Beatz
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Re:Why not Sonar?
2013/03/26 13:29:29
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SOS looks good at first sight. and pt is it really a standard ??? and whats the difference between sonar and pro tools??? i am asking because never used pt and the most of my friends say logic,cubase i dont wanna install a demo version and i am a stay with sonar spent too much time and i like the mixer and the routing possibilities of sonar. but i am really curious would like to hear your experiences with pt. are there some special thinks that sonar cant do like pt??? sonar midi, wave and omf export for exchanging data between other daws is good.
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LpMike75
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Re:Why not Sonar?
2013/03/26 15:14:33
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From my experience - if the plug in says VST, it will work in Sonar. Sonar is considered one of the "major" DAW software players, even if it isn't mentioned in every article or SOS issue. The program has been around a long time and is quite mature. We all know it could use improvements in some areas. (VST3, Staff View, Working with video...etc) but it will get your job done. As far as the argument about ProTools being industry standard and MAc's being preferred in the industry. I'll point out that much of the music you hear on television now adays is made by people in their home studios using whatever software they use. You or I might not know what software, computer, or soft synths they used unless we know the person personally. In big studios and post houses, ProTools IS the standard. It is a very mature program that everyone in that kind of industry learns sooner or later. Does this apply to most of us here? Probably not. This doesn't even apply to the guy actually writing and producing music for television, from his home studio. So if your looking to be a studio engineer or work in a post facility, then learn ProTools, because it is the industry standard in that industry. If you are a songwriter/composer, working and recording from home, then use whatever DAW software works for you, it is not relevant to anything except you. For whatever it's worth, the two studios I have near me, both use PC's. One of them is even a video editing house. It's all a pointless debate, as MAc and PC's will do the same job and any major DAW software will also let you write and record any music you want.
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Danny Danzi
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Re:Why not Sonar?
2013/03/26 15:36:58
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I've been saying this for a long time. I can't even speculate why other than what Spencer said...as that is my belief also. What we may need is more "real rockstar" people helping to push Sonar. I've noticed that each time a company releases some sort of controller or something, Sonar was either at the end of the list of names or not included at all. What justifies getting your name on that list? That's what *I'd* be asking if I worked at the bakery. Why did UAD stop in house testing on Sonar? Are we too difficult to work with? Did it bother UAD that we needed a special "Sonar enhancement" button that they had to implement in order for their software to work well with us? One good thing....which may be the first of great things to come. Waves and Sonar must be doing something together. We went from Waves not caring that the GUI was jacked and controls didn't work right to Sonar helping them sell products. So there must have been some sort of compromise somewhere. This is a good thing. Back to UAD, they listed a fix for their latest software that mentioned a fix for Sonar users. This is another good sign that maybe things are changing. I hope we had something to do with that as I hounded UAD for 3 weeks talking to tech support begging for them to look into our issues. We have a great product. It's as good or better than anything out there getting acclaim. I still think not many take us seriously enough and we don't have enough big guns with a name to push us. Time will tell...but it appears someone is trying to make a difference for the better. -Danny
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Rain
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Re:Why not Sonar?
2013/03/26 16:53:14
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It used to be much, much worst in the late 90s and early 2000s when Cakewalk was widely dismissed and frequently referred to as a toy. Despite its qualities, Pro Audio was seriously lagging behind in terms of features, partly due to Cakewalk's refusal to support VST and rely on ASIO. They did try to re-invent that wheel for years... So while Cubase, Logic and the others were offering low-latency, virtual instruments and all the other goodies, all Cakewalk had to offer was a very basic (though solid) audio-midi sequencer. The fact that it was PC-only didn't help. Pro Tools, Digital Performer and Studio Vision DSP were Mac only. The valid alternatives - Cubase and Logic - were both cross-platform. Pro Audio was like an alternative to the alternatives, and as such, usually dismissed. So while big studios were being equipped w/ expensive Pro Tools TDM systems, other folks who could help build a reputation - cutting edge major league artists like Nine Inch Nails, who were moving away from traditional studios and helping set the private/home studio trend usually adopted Studio Vision DSP, Logic or Digital Performer, because these could be used w/ Digidesign hardware, while providing the MIDI features they needed. The other people who can help give a piece of software its credibility and bring out its name, like the people scoring movies, were opting for DP, Cubase, Logic, for reasons still obvious almost 15 years later. Lastly, both Cubase and Logic being made in Europe and cross-platform, it's no surprise that they were the apps of choice for the folks at Computer Music and other such publications based in Europe, further marginalizing Cakewalk. So back then, telling people you were using Pro Audio typically got you the same kind of reactions you'll see when someones says he's using a Soundblaster. Nowadays, Sonar is usually accepted as a valid alternative - not so much because it actually gained recognition and earned its place, but, sadly, because it's been commonly accepted that technology progressed and alternatives have become valid options.
post edited by Rain - 2013/03/26 17:00:37
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rabeach
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Re:Why not Sonar?
2013/03/26 18:29:46
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Rain
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Re:Why not Sonar?
2013/03/26 19:04:09
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rabeach http://kevincharlesbrandon.homestead.com/files/Professionals.html With all due respect, reading that the bass player from Megadeth uses Sonar to record demos for his next solo project... He could be using Fruity Studio and it wouldn't make a difference on the end product. Not to mention that, the bass player for Megadeth isn't exactly the first person I'd think of if I were looking for advice on a DAW. And the same is true for a lot of the names on that list. There's also a huge gap between a "professional" and a superstar. That's not exactly like star composer Hans Zimmer explaining how he used Cubase to score The Dark Knight and raving about VST expression or, I don't know, a technology-savy band like Depeche Mode or Nine Inch Nails saying that they tracked their last album w/ Logic. FWIW, I don't consider that such endorsements should be taken all that seriously. But, when we get into the name-dropping games, not every name makes the same impression. Tony Visconti mixing a David Bowie album in Logic kind of steals the spot if compared to a session musician who uses Cakewalk at home (as amazingly talented as that guy can be).
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rabeach
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Re:Why not Sonar?
2013/03/26 19:25:00
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If I knew what you were talking about I would comment. As far as I know that web post is 11 years old. I just thought it was interesting.
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Rain
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Re:Why not Sonar?
2013/03/26 19:43:04
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What I meant is that, besides being dated, that list and the names on it aren't exactly glamorous or eye-catching, in terms of DAW software endorsement.
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joden
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Re:Why not Sonar?
2013/03/26 19:43:36
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I think it is just that Steinberg OWN the intellectual rights to the VST format, and companies are simply reflecting that in specification/requirements listings. Hence the referral to Cubase most of the time...As for other DAW's perhaps there are some "placement" fees going on??? It is a pretty safe bet there will be a money trail there somewhere I seriously doubt there is ANY conspiracy by way of country of origin/ownership or against developers per se...
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Destro
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Re:Why not Sonar?
2013/03/26 19:57:03
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Rain It used to be much, much worst in the late 90s and early 2000s when Cakewalk was widely dismissed and frequently referred to as a toy. Despite its qualities, Pro Audio was seriously lagging behind in terms of features, partly due to Cakewalk's refusal to support VST and rely on ASIO. They did try to re-invent that wheel for years... So while Cubase, Logic and the others were offering low-latency, virtual instruments and all the other goodies, all Cakewalk had to offer was a very basic (though solid) audio-midi sequencer. The fact that it was PC-only didn't help. Pro Tools, Digital Performer and Studio Vision DSP were Mac only. The valid alternatives - Cubase and Logic - were both cross-platform. Pro Audio was like an alternative to the alternatives, and as such, usually dismissed. So while big studios were being equipped w/ expensive Pro Tools TDM systems, other folks who could help build a reputation - cutting edge major league artists like Nine Inch Nails, who were moving away from traditional studios and helping set the private/home studio trend usually adopted Studio Vision DSP, Logic or Digital Performer, because these could be used w/ Digidesign hardware, while providing the MIDI features they needed. The other people who can help give a piece of software its credibility and bring out its name, like the people scoring movies, were opting for DP, Cubase, Logic, for reasons still obvious almost 15 years later. Lastly, both Cubase and Logic being made in Europe and cross-platform, it's no surprise that they were the apps of choice for the folks at Computer Music and other such publications based in Europe, further marginalizing Cakewalk. So back then, telling people you were using Pro Audio typically got you the same kind of reactions you'll see when someones says he's using a Soundblaster. Nowadays, Sonar is usually accepted as a valid alternative - not so much because it actually gained recognition and earned its place, but, sadly, because it's been commonly accepted that technology progressed and alternatives have become valid options. I remember this period of time or I should say a little just after it. Emagic was purchased by Apple and Logic was no longer destined for PC. I remember back then that mags like CM and FM would consider, Cubase, Logic & Sonar as the big 3 with Ableton creeping. However, anyone I talked to personally, NEEDED a mac and Logic. It was just the IT thing to have for music production. Reason & Fruity Loops were also in the mix, but PT and Logic were the major studio apps. Everything you say lends a lot of cred! Glad I wasn't the only one seeing that.
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swamptooth
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Re:Why not Sonar?
2013/03/26 20:04:43
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maybe it's because midi implementation in sonar isn't 100% reliable. I've said it before - the glitches in sonar with midi, esp midi being sent from multiple soft synths, makes the whole program look amateurish.
Arvid H. PetersonSonar X3E Prod / X2A / X1PE | Cubase 9.5.1 | Reason 9.5 | Sibelius7 | Pure DataNative-Instruments Komplete 10 Ultimate and a smattering of other pluginsHome-brewed VSTs Toshiba Satellite S855-S5378 (16GB RAM, modified with 2x 750GB HDDs, Windows 8.1 x64) Samson Graphite 49, M-Audio Oxygen 49, Korg nanoPAD2, Webcam motion tracking programs M-Audio Fast Track UltraMember, ASCAP
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joden
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Re:Why not Sonar?
2013/03/26 20:10:20
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Yeah I agree with this...more than most of the above, having used it primarily as a midi DAW since Cake 3...only in the last couple of years have I got into the audio side of it. swamptooth maybe it's because midi implementation in sonar isn't 100% reliable. I've said it before - the glitches in sonar with midi, esp midi being sent from multiple soft synths, makes the whole program look amateurish.
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rabeach
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Re:Why not Sonar?
2013/03/26 20:24:20
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joden I think it is just that Steinberg OWN the intellectual rights to the VST format, and companies are simply reflecting that in specification/requirements listings. Hence the referral to Cubase most of the time...As for other DAW's perhaps there are some "placement" fees going on??? It is a pretty safe bet there will be a money trail there somewhere I seriously doubt there is ANY conspiracy by way of country of origin/ownership or against developers per se... I would not underestimate the DX vs VST strategy that ran its course. Companies compete with a finite number of consumers. I would expect some resentment even though it is probably not overt.
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swamptooth
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Re:Why not Sonar?
2013/03/26 20:25:52
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I'm really really bummed because I was using Cakewalk by twelve tone 20 years ago at university and now, getting back into the music side of things and the software architecture of both vsts and adaptive modules for reactor and kontakt I've had to abandon sonar as a testing environment completely. it has a lot of potential but what I am building right now simply will not work unless they nail the midi problems down.
Arvid H. PetersonSonar X3E Prod / X2A / X1PE | Cubase 9.5.1 | Reason 9.5 | Sibelius7 | Pure DataNative-Instruments Komplete 10 Ultimate and a smattering of other pluginsHome-brewed VSTs Toshiba Satellite S855-S5378 (16GB RAM, modified with 2x 750GB HDDs, Windows 8.1 x64) Samson Graphite 49, M-Audio Oxygen 49, Korg nanoPAD2, Webcam motion tracking programs M-Audio Fast Track UltraMember, ASCAP
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joden
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Re:Why not Sonar?
2013/03/26 20:49:05
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Yeah, true. rabeach joden I think it is just that Steinberg OWN the intellectual rights to the VST format, and companies are simply reflecting that in specification/requirements listings. Hence the referral to Cubase most of the time...As for other DAW's perhaps there are some "placement" fees going on??? It is a pretty safe bet there will be a money trail there somewhere I seriously doubt there is ANY conspiracy by way of country of origin/ownership or against developers per se... I would not underestimate the DX vs VST strategy that ran its course. Companies compete with a finite number of consumers. I would expect some resentment even though it is probably not overt.
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