Your English is perfect. 'Devious Movements' isn't really 'in tune'. There's just so much going on that the preset sounds thick and relatively in tune.
The best way to dissect any complex preset is to break it down to the bare components. In this case, you want to learn about the interaction of the 2 detuned oscillators, and how LFO2 affects them. Most parameters can be reset to default settings by bypassing the On/Off switch, double-clicking, or left- and right-clicking on them at the same time.
Get rid of all of the Effects section. Left+right-click on all of the Sources in the Mod Matrix (for now, even LFO2 in the fourth slot). It's best to bring the oscillators to their most basic state. In OSC1 and OSC2, you can double-click on the Spread control (effectively defeating the multi-oscillators), or - better yet - change the Oscillator Mode to Normal, Sync.
I always change the oscillator waveshape to Gen. Sine for pitch analysis. It helps to focus on pitch alone without all of the harmonics/ overtone distractions, and also helps to mitigate any filter interaction. In this preset, I'd bring OSC 2 Transpose down from +7 to zero as well. You want to compare pitch-to-pitch.
So, now you're left with a sine waveform in OSC1 and OSC2, and each is detuned in different directions by nearly 40 cents. You can clearly hear the beating between the 2 oscillators. If you double-click on the Fine Tune control in either or both oscillators now, you'll hear less frequency beating, or none at all (respectively). Now bring back LFO2 into the fourth Mod Matrix slot. You'll hear the very slow, up-and-down pitch effects of the Triangle waveform on both oscillators.
Edit: Preset name.
post edited by b rock - 2013/06/02 12:00:28