Setting up a Hardware Mixer

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gothic909
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2009/09/12 23:31:02 (permalink)

Setting up a Hardware Mixer

Hi guys, how would I go about setting a hardware mixer?  Its 16 Channels and has 4 Stereo Bus Channels, and has Direct Outs on each channel.  I have 8 in/out MOTU Interface, and a 8 TRS snake.  I want to mix through the 4 Stereo Bus Channels, assign groups of tracks to each Bus, so how would I setup the mixer in Project 5 so that the channels go out to the mixer? If you need more info just ask, thanks.


post edited by gothic909 - 2009/09/12 23:32:33
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    gothic909
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    Re:Setting up a Hardware Mixer 2009/09/13 18:04:27 (permalink)
    36 reads....No one knows? Gotta be someone....
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    agincourtdb
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    Re:Setting up a Hardware Mixer 2009/09/14 12:59:48 (permalink)
    hard pan your tracks L,R,L,R,L,R,L,R, and then send tracks 1 and 2 to main out 1, tracks 3 and 4 to Main Out 2, etc. 1/4 balanced from each hardware out to each 1/4 line in on the mixer.


    #3
    gothic909
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    Re:Setting up a Hardware Mixer 2009/09/14 20:39:27 (permalink)
    Hard pan them on Project 5 or the Mixer?  I'm guessing the mixer. 

    Also, this mixer has Direct outs on each channel, shouldnt I be connecting the lines from the interface to the direct outs?   Also, what should I be doing within the Project 5 software itself? 


    Say I have a Velocity Kick Drum Track on Channel 1
    Snare Drum Track on Channel 2
    VST midi track with Z3ta as the synth on Channel 3
    VST midi track with Albino 3 as the synth on Channel 4

    how would I route these through the software to the mixer for playback, mixing, and then summing through the mixer.

    Thanks for responses
    #4
    agincourtdb
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    Re:Setting up a Hardware Mixer 2009/09/14 21:39:11 (permalink)
    hard pan in project 5. That way each channel will have it's own mono out, send from the hardware outs of your interface to the channel line ins of the mixer. The direct outs would be if you were going the other way. (ie, recording through the mixer into the ins of your sound card)
     

    post edited by agincourtdb - 2009/09/14 21:40:37


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    gothic909
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    Re:Setting up a Hardware Mixer 2009/09/15 01:45:48 (permalink)
    Should I be going the other way?  Whats the most efficent setup for good workflow?  Goin through the line ins or the direct outs?  What would be the big differences?  Thanks, my first mixer :D.

    And if I go through the line ins on the mixer, and pan in Project 5, is that all I have to do in Project 5?  It understands everything through the interface?  Or is there more setting up I have to do within Project 5? 
    post edited by gothic909 - 2009/09/15 01:54:03
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    AT
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    Re:Setting up a Hardware Mixer 2009/09/15 02:40:00 (permalink)
    You use P5 to control the automation levels - you'll probably want to keep the mixer levels at unity unless you want to mix the old fashioned way.  The old fashioned way you are using the P5/Moto as a tape deck and mixing by hand.  Either way, it is P5 to Moto line outs to line ins on mixer.

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    agincourtdb
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    Re:Setting up a Hardware Mixer 2009/09/15 10:22:08 (permalink)
    I would say it's really only worth mixing and summing 'outside the box' if it's a really nice mixer. I have a 24-ch (not a nice one) and I only use it for the pre-amps when recording my band into Sonar, and I never use it w/ P5

    If you really want to mix in the mixer, you do the hard panning in P5. The reason you do that is, since the main outs are stereo pairs, you want each track on it's own outs. So, two tracks to a stereo pair, one hard left and one hard right.

    You plug 1/4 balanced cable from the sound card outs into the line ins of the mixer. They're line-level and that's how you get the audio from the sound card to the mixer.
     
    The direct outs are outs, you would use them to send audio from the mixer to the sound card. So, don't do that in this situation. If you were recording, you would use those same cables to go from the mixer direct outs to the sound card ins.


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    badbib
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    Re:Setting up a Hardware Mixer 2009/09/15 15:07:35 (permalink)
    I got my first mixer about a year ago, what I've learned is that there are roughly two "big" ways of using a mixer.

    One is using it for recording, so you plug your audio sources, mixers, synths, whatever, in each of the mixer's channel, this way you don't have to plug/unplug anything when you want to record something in P5. You just have to send the main outs on your mixer to the inputs of your soundcard,  or send some of the aux busses if you need more than one stereo pair of outputs (say, if you want to record a band through the mixer, but you want to record each track individually)

    The other one is using the mixer for, well, mixing.  You do this if you want to mix your tracks with the mixer itself, controlling the volume, eq, of each track on the mixer itself. As agincourtdb said, this is useful mostly if you have a really good mixer, otherwise, you'd be better off just mixing in the PC.
    all you'd have to do to achieve this is plug the outputs on your soundcard in the mixer's channels, and route each individual track in P5 to the physical outs on your soundcard. (note that this may require some setting up, in P5, and in your soundcard's control panel).

    But actually, I'm curious, what did you get a mixer for? I mean, I bought a mixer because I needed more inputs, so I'm using it in the first setup I described, but maybe you had another idea in mind.

    What is that mixer by the way, maybe giving the specs could help us find some tips for you.
    I'd suggest looking at the website of your mixer's brand, they often have some pretty well done schematics, and templates of how to plug the mixer. You could check out Mackie, or Soundcraft's websites, they have comprehensive pictures of how to set up their mixers. You don't need to look at the big ones though, the 8 or 12 ins would be enough, after all, it's only a matter of adding more channels and more aux sends, but the "logic" would pretty much be the same.

    Another thing to bear in mind is that there isn't one "good" way of plugging a mixer, you can get really creative with it, I spent a damn lot of time trying to figure out what was the best way to plug mind for my purposes, so it can be some trial and error, maybe a combination of the two ideas I gave you, along with some more original stuff, maybe you have an external effect, or a  synth with an audio in, you can plug that in one of the aux sends, and send what you want in it or whatever.
    #9
    gothic909
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    Re:Setting up a Hardware Mixer 2009/09/16 00:30:19 (permalink)
    Aite, im gonna digest all that, and try to figure it out.  I'll come back if i have anymore questions, or share kudos if there was a solution.

    The main reason I got a mixer is for summing the mix, I absolutely hate the summing on Project 5, it is terrible, flat, small, lacking space, width, I can go on.   I want to keep mixing in the Project 5, as I know it well by now, but just sum through the mixer.  Eventually i'm gonna buy more outboard processing and synths and incorporate the mixer more, because I hear it has great preamps for its price/size. 

    Seb if you got aim or msn, pm me it, would like to do some realtime chattin with you about mixers, and I see you make minimal and tech house, maybe we can talk about music a bit ; )
    #10
    gothic909
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    Re:Setting up a Hardware Mixer 2009/09/16 00:32:24 (permalink)
    agincourtdb


    I would say it's really only worth mixing and summing 'outside the box' if it's a really nice mixer. I have a 24-ch (not a nice one) and I only use it for the pre-amps when recording my band into Sonar, and I never use it w/ P5

    If you really want to mix in the mixer, you do the hard panning in P5. The reason you do that is, since the main outs are stereo pairs, you want each track on it's own outs. So, two tracks to a stereo pair, one hard left and one hard right.

    You plug 1/4 balanced cable from the sound card outs into the line ins of the mixer. They're line-level and that's how you get the audio from the sound card to the mixer.
     
    The direct outs are outs, you would use them to send audio from the mixer to the sound card. So, don't do that in this situation. If you were recording, you would use those same cables to go from the mixer direct outs to the sound card ins.


    thx will try to figure it out.



    #11
    gothic909
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    Re:Setting up a Hardware Mixer 2009/11/15 20:27:16 (permalink)
    How do you send tracks in Project 5 (version 1.5) to main outs on my mixer or interface?  I dont see that capability in Project 5?  I just see insert synth and what not.  How do you actually send tracks out of Project 5 to an analogue mixer.  Fast response please, in the middle of a session. Thanks
    post edited by gothic909 - 2009/11/15 20:33:32
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    gothic909
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    Re:Setting up a Hardware Mixer 2009/11/15 20:58:37 (permalink)
    I'm getting signal, but how do I record from the Mixer back to the Hard Drive?  How do I get back into the DAW?  And previous question still stands in previous post. 
    #13
    MemphisJo
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    Re:Setting up a Hardware Mixer 2009/11/15 22:43:05 (permalink)
    OK dude, here I am,

    I'll try to help but i) I'm not familiar with P5 (I'm a Sonar user) and ii) I don't know what make and model of mixer you have but I do know that you have a 8 in / out MOTU.

    As a previous poster already said, there are many ways to use a hardware mixer, it's a Swiss army knife. With 8 ins and outs I don't know why you need it, but this is how I used mine many years ago when Pro Audio 9 did not have such great internal mixing capabilities as the new software has:

    (BTW, back then, I only had 2 ins 6 outs) I'm also assuming that the mixer IS NOT connected via usb or firewire?

    Here we go:

    Connect the mixers alt 3/4 bus outs to the MOTU channel 1/2 ins (Left and Right)
    This is your recording ins (bus), you can send any channel on the mixer to this bus to record, just make sure you have the alt 3/4 button on the channel you are using to record (on the mixer) depressed and select MOTU 1/2 in to record your track in P5.

    Take the 8 outs from the MOTU and hook 'em up to the mixers stereo channels (probably 5 thru 12) these channels will have 2 jack ins (left and right) on each channel. These will be your outs from P5. Any track in P5 can be routed to these 4 channels (4 x 4 'cos there are 4 stereo channels).
    e.g you could have all your drum tracks playing back thru 5/6
    This is your output bus and will go to your monitors from the mixer

    Connect the mixers main outs to your monitors or power amp/speakers (you could also use the monitor outs it doesn't really matter)

    You are severely limiting your use of P5 by doing all of this, it's internal mixer is far more powerful and flexible BUT you will be able to monitor recorded tracks as you record with zero latency (if, that is, you are having latency issues).

    To do this send the signal from the track that you are recording to the main bus (or monitor bus or phones bus if you are using phones) REMEMBER it must also be going to the alt 3/4 bus so that it goes into the MOTU / P5 for recording.

    Another advantage is that you could, for example, hook up an effects proccessor or compressor into the track that you are recording and monitor it with effects but record it clean... but you can do this in Sonar anyway... I don't know about P5.
     
    Be careful with switching of buses, it is real easy to send something to the wrong bus and create a loop and feedback will hurt you hearing AND your equipment.






    post edited by MemphisJo - 2009/11/15 22:47:56

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