bitflipper
But the obvious question is: why? What possible role could a graphic equalizer play in a recording studio that wouldn't be better addressed by even the most basic parametric equalizer?
Hi Dave, I've always, well, not so much struggled, but let's say frustrated with the way some of the parametric eq's function. I found it quicker to dial in the right curve with a graphic eq instead of messing around with a five/six band para eq. The curves don't seem to go where I want them to.
I'm still persevering with the para eq, and mainly the PC quad curve, but it I know I want to completely cut everything from say 10hz to 50hz, I can do that in seconds with a graphic eq.
At the end of the day I suppose the main issue is one of training, and perhaps my reduced ability to learn nowadays. Old dog, new tricks and all that.
I had a look at the LP64 EQ last night but the look ahead feature of that EQ means it is best used as a mastering EQ rather than in a live situation. But I found it easier to use than some of the others.
Perhaps I need to trawl the internet for some tricks and tips for parametric eq's