Look at how video editors do it and steal some.
Very distinct choices what you want to work on right now and gui changes to support just that.
Been working in Premiere elements, Nero Video and PowerDirector - and PD is favourite still.
When having multiple camers - open Multi Camera room.
When you work at transitions you open Transition room and upper gui changes to support that.
When you want an effect on a clip - Effect room opens.
Set chapters - Chapter room
and so on.
So highly customizable operations like these, so you can create your own workflow completely.
So some major states - Tracking, Mixing, Rendering - then subcategories on these that you create your own as needed.
This means a toolbar customized for each subcategory, and now gui area is used like how many tracks.
Maybe you want to work with foundation of drums, bass and pads into one - and select which tracks belong to that - and not exclusive, some tracks may be used in several subcats.
Vocals might be another subcat.
For daws subcategory Tracking/Recording and Mixing this might be:
a) tracking - maybe make a couple of those as you found needed, do you record full sessions on many tracks or just one at a time and so on. It's bound to be different for every person.
b) mixing - this might be different things to quickly get access to automation and such. Group tracks as needed to have them right in place for you switch to a certain subcategory.
Clever things already in other daws:Preset list of time ranges save - both Samp, ProTools and Cubase has cycle markers kind of idea.
Cubase has ability to 10 marker tracks, where one is active at a time. Meaning you can have set positions prepared for recording, not needed general use of preroll - you decide where each section is for a section. so I use one marker track for recording positions for the project. Another for vocals to quickly jump between positions for vocals only.
Reaper has folder tracks which include a bus, which is also visible in mixer to expand/collapse as needed.
Cubase and ProTools has separate automation curves for absolute and relative which can be frozen into absolute as needed - and works for any track as well as VCA fader groups.
ProTools has really neat display of delay compensation in mixer like this:
This makes you feel in control.