Hi,
I did ... but not in music. Film and theater.
Film was too tough for me, and I could not get into USC, even though I had the recomendation from two of their professors, one of which I had at UCSB.
Theater I gave up because the folks in local theater were a bunch of washed out old coats hoping to get their 15 minutes of fame and fortune and they did not care for acting or theater or film, or anything else except their very own star appeal.
I wish I had the chance to work with the Royal Shakespeare Company or the National Theater, or even The Living Theater, or the one that I wanted to have fun with ... The ETC La Mamma Group ... but of all those folks, I only got a hello and thank you from the Royal Shakespeare Company, and the rest was run by rich bastards that were on free handouts by the feds ... and they were not about to share a penny of it!
I had one other moment in music ... that the person in question chickend out on ... Peter Mark, of the Virginia Opera ... he taught a course at UCSB with us three directing majors in theater in it, the thought being that directing in opera would be a nice addon to our studies (I thought it was magnificent! but already knew that directing in Opera was a dead end!), and it was. On the final, we all did story boards for various things as a directing project and I did Tosca's 2nd act ... in FILM ... on a stage ... and it blew him away ... he said I solved all the hard issues that opera has in staging ... and I told him ... let's do it ... we would have to spend some time filming a few things and making sure that we knew how to project them and such ... and I did not miss a beat, from the first sound to the end of the Act 2 of the opera ... and if you don't believe me, you need to look at the score and find that solo violin in the aria, and understand what I did with those solo notes, that would have your audience crying ... (film would have the tear slowed or speeding and followed, until it hit the floor) ... which would add a magic moment to the aria.
It was too much for Peter Mark ... and besides he was more interested in making sure that his wife's opera got on stage in Virginia, than a a reimagined and designed opera on stage in a much more modern concept.
I learned this concept of using film in theater by seeing the ETC La Mamma do a play called ... "Carmilla" ... which was fabulous ... totally far out and off the wall beautiful and out of this world!
But it was the end for me, working with people that had no vision. I have been a writer and review of foreign/art films since ... because at least in there, the freedom, the love and the experiment is alive! Just like the music business, it's mostly dead because the only thing that most folks can do is ... local crap and the cheapest music possible!
It's not worth pushing anymore. If I get published and appreciated before I go, thank you and I love you all ... if I don't thank you and I love you all! I don't want anything else, and to me the only glory needed and wanted is for the art ... not the fame, not the money and not the dream that you will make it famous! You can't live life hoping that someone else allows you to live your dream ... so I decided to live my own dream ...
I've written over 500 film reviews. Over 100 music reviews. Have over 150 poems. Have 7 short sroties. Have 3 novels. And I'm happy with my inner vision and what I write and will never write for someone else, or their "ideas" ... it's all about the inner life of the clown or maniac or magician and his/her visions.
Thx. I'm not angry ... or disappointed. Visionaries are few adn far in between, and some of them get poisoned, and some get crucified for their ideas ... so I don't exactly feel left out on the pasture! And if it mattered to you, you would know between the lines, what the spirit inside here is all about! And the tagline is not an idea ... it's the truth that defines your art within you! IF you are interested!