The common element during that era was that recordings were just that - recordings, meaning they documented a live event.
You got the sound you wanted by arranging the band and the microphones and then you hit Record. There may have been some live mixing, such as bringing up a lead instrument for a solo, but for the most part it was all about getting a good sound/balance first and then trying to document it as accurately as the technology would allow.
Today, we have a tendency to hurry through the initial stages. Bands no longer play tunes live for months or years before taking them into the studio. Most sessions I've been in have been 50% rehearsal and 50% recording. You're just happy to get a take without too many flubs, knowing you can fix pretty much anything later.
That, I think, is why many older recordings have an energy that's hard to achieve with our modern, over-produced, microscopically-edited fakery.