My work-round is to use parallel compression in conjunction with the eq.
Duplicate the bass track and put a compressor sidechained to the kick (or any audio as relevant) on one track. If desired output both tracks to a bus for convenience.
Playback both tracks and have a listen. Cut the bass as seems required in the track without the comp and everything else as seems required in the track with the comp.
Not ideal, and a side-chain into a single band on a multiband might work quicker and better, though there still might be the need to handle unwanted side-effects in the frequency band above the one being compressed.