• Coffee House
  • So I came home with this guitar last night.......... (p.2)
2013/02/04 17:06:38
The Maillard Reaction


I may have to wiki that?
2013/02/04 17:07:46
bapu
mike_mccue


I may have to wiki that?

Use .zipx
2013/02/04 17:08:47
bapu
The x is .zipx means x-tra fast.
2013/02/04 17:21:11
The Maillard Reaction


Like jalapenos and fiber?

Or like a Prius back from the SpeedShop?


2013/02/04 17:42:02
digi2ns
Nice looking guit-fiddle Tim!

What is it-I have an idea but not sure

If the body is Mahogany, I would think it would do good

The only thing I could think of to maybe improve sustain would be a brass nut and maybe a good heavy set of strings.

It is pretty

2013/02/04 17:48:53
digi2ns
This place has a bunch of goodies,

Havent checked the quality of their suppliers yet though

http://www.allparts.com/B...t-Brass-Nut_p_786.html


2013/02/05 12:29:09
Starise
 LOL! Yeah I did get permission but I told my wife that the last guitar was the only one I would ever need, now I'm back pedaling to get around that statement. I would still like to get some more guitars one day ;)

 The guitar is a Schecter Hellraiser C-1. I'm not really sure if I can play this in church;).... it is a mahogany body. The thing is I am kind of new to the whole heavy sounding guitar thing and I didn't really know what I wanted.I'm probably not doing the right things.

  I was playing her last night and I am having some serious second thoughts about getting rid of her now. I think maybe it is my technique that isn't getting the results and not the fault of the guitar. I do find myself reaching for a whammy bar with this, however I'm bending more to compensate for the lack of a whammy. I think there is more sustain potential without a whammy bar.

  Mike(digi2ins), Thanks for the heads up on those parts.I'll check it out.  I  noticed some subtle things with the 81/85s. Maybe you can tell the differences. I recorded some tracks last night( I didn't rehearse so  the playing isn't all there or even close lol) anyways I am keeping the guitars a secret . I'll let the word out but wanted to see which sounds you thought were the best. This is purely subjective if you decide to participate.

 If you care to try and see which one is the real Schecter C-1 using EMG 81/85 be my guest. I recorded all of them through an HD500 using the " Singing Lead" sound coming out of the HD into a Mackie with no EQ. sent to Sonar in 24/48 bit via line level at around -3db and exported to Mp3 128.

 There are three guitars involved using both neck and bridge settings.One guitar is a Laguna HSS which is similar to a Fender strat HSS. A JTV69 Variax using a 1958 Les Paul standard setting on both neck and bridge and the Schecter C-1 Hellraiser.

Here are some tracks I played using the different guitars on a rather clean song. 

http://dl.dropbox.com/u/30861263/trk1.mp3

http://dl.dropbox.com/u/30861263/trk2.mp3

http://dl.dropbox.com/u/30861263/trk3.mp3

http://dl.dropbox.com/u/30861263/trk4.mp3

http://dl.dropbox.com/u/30861263/trk5.mp3

http://dl.dropbox.com/u/30861263/trk6.mp3

 Some tracks of power chords with the guitars set on the bridge positions.

http://dl.dropbox.com/u/30861263/trk7.mp3

http://dl.dropbox.com/u/30861263/trk8.mp3

http://dl.dropbox.com/u/30861263/trk9.mp3

http://dl.dropbox.com/u/30861263/trk10.mp3


2013/02/05 13:33:33
bapu
Starise

The guitar is a Schecter Hellraiser C-1. I'm not really sure if I can play this in church;).... 
Why? Does it say "Hellraiser" on it? Maybe some tape over the name?


Now, I can see why you would not want to play my son's Jonez Custom guitar in church:


2013/02/05 14:01:22
digi2ns
Starise


The guitar is a Schecter Hellraiser C-1.

Mike(digi2ins), Thanks for the heads up on those parts.I'll check it out.  I  noticed some subtle things with the 81/85s. Maybe you can tell the differences. I recorded some tracks last night( I didn't rehearse so  the playing isn't all there or even close lol) anyways I am keeping the guitars a secret . I'll let the word out but wanted to see which sounds you thought were the best. This is purely subjective if you decide to participate.

If you care to try and see which one is the real Schecter C-1 using EMG 81/85 be my guest. I recorded all of them through an HD500 using the " Singing Lead" sound coming out of the HD into a Mackie with no EQ. sent to Sonar in 24/48 bit via line level at around -3db and exported to Mp3 128.

There are three guitars involved using both neck and bridge settings.One guitar is a Laguna HSS which is similar to a Fender strat HSS. A JTV69 Variax using a 1958 Les Paul standard setting on both neck and bridge and the Schecter C-1 Hellraiser.

Here are some tracks I played using the different guitars on a rather clean song. 

http://dl.dropbox.com/u/30861263/trk1.mp3

http://dl.dropbox.com/u/30861263/trk2.mp3

http://dl.dropbox.com/u/30861263/trk3.mp3

http://dl.dropbox.com/u/30861263/trk4.mp3

http://dl.dropbox.com/u/30861263/trk5.mp3

http://dl.dropbox.com/u/30861263/trk6.mp3

Some tracks of power chords with the guitars set on the bridge positions.

http://dl.dropbox.com/u/30861263/trk7.mp3 Laguna Neck

http://dl.dropbox.com/u/30861263/trk8.mp3    Schecter Bridge 

http://dl.dropbox.com/u/30861263/trk9.mp3  Variax Neck 

http://dl.dropbox.com/u/30861263/trk10.mp3  Laguna Bridge

Well I was right on my thoughts of what is was.

Havent actually listened much to Lagunas
So heres my guess on the Power Chords
Like to try later on the others LOL





2013/02/05 19:27:17
zungle
That actually looks to be an 89 in the neck.(copper logo)

Your probably not gonna get full performance out of that set up. Active EMG's are gonna perform best on a tube amp and hitting the the input hard.

EMG's and modelers or any solid state amp aren't always a great combo. 
IMO ....Sansamp PSA,Axe Fx and V-Amp Pro, work better with active EMG's than others.........throwing a Palmer on a real amp is a good direct choice as well.
Passive pickups will be warmer and fuller with most digital modelers.

The 81's are particularly harsh with digital amp modeling......the have ceramic magnets with cutting highs and upper mids.

That being said, the 85's have an alnico magnet and are a bit warmer,fuller and spongier than the 81.
 
85's aren't bad for digital, in the bridge of a set neck guitar.

The 85 and 85X are very nice in the bridge of an alder guitar,bolt neck,vintage trem.

They are used frequently in the neck and a lot of folk don't know why?
They were originally designed as a warmer active bridge pickup.
I don't like 85's in the neck.....
Used in the neck they are  dark and get muddy,they are also hard to balance with an 81.
The 60,60X and H are much better suited in the neck especially on a Mahogany or set neck guitar.
In an Alder vintage trem guitar the 60's and "H" have great cleans.

The 81's are going to shine doing Metal with a tube amp, 12ax7 pre, using drop tunings on a guitar with a scale of 25.5 or more. They are very focused and will stay tight with good definition on the low end.
The thing most folks are missing with the EMG's that, they aren't gonna instantly turn each guitar into a "Metal" machine, its the focus,balance and clarity they have that allows a better platform to sculpt the overall tone while using massive gain.
It also helps that they are high output and dead quiet.


Sorry for rambling


And being overly...........serious.........


Of course all of this rambling is only my non professional possibly messed up opinion......



PS.....I have 4 axes loaded with various EMG's and 1 w/Dragon Fires



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