bitflipper
Excellent performance. The sax is remarkably well-recorded and slickly double-tracked. Close miked? Use of reverb is just right. Nicely balanced mix. We'd all love to hear the technical details, Charley. Was this recorded in a home studio or a professional space? Did you mix and/or master it yourself?
Thank you so much! I'm happy to give some details.
I recorded with an SM-98, which sorta cracks me up. I have "better" mics, including a fairly nice ribbon. But that's the sound that seemed to work best for me, and the one that my producer liked. Yes, close tracked. At home.
My mic pre is just an old Aardvark Q10. I use an older version of Sonar. Sonar 5.2. I do have my room treated with bass traps, diffusers, absorbent materials, and a wood floor. But, again, I close track... so... it probably helps a little, but...
My producer (Nils, a fairly big name in this genre) mixed the tracks. He told me he doesn't use much EQ on my horns, if any. It was mastered by Ron Boustead, Resolution Mastering.
The album has some well-known players, including Alex Al (bassist for Michael Jackson), Oliver Brown (percussion), and Nils (guitars), and Richard Rightman (drums). But this track is pretty much just me and Nils.
I wrote half the songs, and Nils wrote the other half of the songs. Nils wrote this one. I trust him to know what is "radio friendly."
I wish I could tell you what he uses for ambience on my horn. Frankly, I'd like to know for my own personal edification. But, I agree, it's pretty perfect. Since he is able to quickly provide me alternate mixes on request, I'm sure it's plugins.
Glad you like the double tracking and harmonies. I had fun experimenting with that. 😊
If you perform on this genre, I'd recommend Nils as a producer in a heartbeat. He's got his own Billboard #1s, and he's produced those for others. Except, then you'd be competing with me... so, scratch that. He sucks. 😂
Nils is wonderful to work with. He's become a friend and mentor.