Hi,
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A
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I directed many plays and a couple of films, and am working on another. The actors, in them, of course, ARE the ones that will make this go or not go, so you have to take their imput and add/adjust it to match the grand vision.
The hardest part as a director? You have a script, a vision, and sometimes it seems like it is being blown apart ... and that is NOT the case ever ... since no one has seen it anyway! That would be an ego thing ...!
In the end, however, after all rehearsals, the director might want to do something else, because it smoothes out the staging, and the filming, and sometimes it works and sometimes it doesn't. In general, there are more tools "outside" the actors, that can make something work than otherwise ... for example, an aside, or frown, might not work if you catch it directly ... but in the background, not as the main focus, and right there, it adds to the completeness of the moment. This, is the hardest subtlety that most musicians are not willing, or capable of working with when discussing their music ... they are way too rock'n'roll minded, or popular music minded to see a bit more beyond what they want to see ... which makes them think and feel that they know music better ... well, their song, they do, and I would not question that!
Both film, theater, and music, are, for the most part collaborative arts ... but in the end, a lot of these collaborations tend to wash down and dilute each and every person's abilities to the point where the eventual result suffers. This is where a good "director" can help things ... but it is hard even for actors ... who like to say ... I am that character ... when all you are doing is changing the tshirt, or the shoes and you taking a left step instead of a right step. In the end, those details don't matter ... but your attitude and attention to the detail and work, will define your level of professionalism ... not even your compulsory comments about what someone else sees! ... there is one tree in the middle and you are over there and others are not on the same spot ... expecting them to see the same thing ... is not only wrong, it is naive and childish!
Bapu is tough ... I think he likes to have his way ... and that's that ... but being a musician that plays bass, I think he finds he has to play 2nd fiddle and I believe his ability and talent to see a better/higher perspective for a piece of music, might enter into the scene, and prevent him from just concentrate on the bass part ... he is mechanically sound and very good in his engineering of things ... and yeah ... I suppose you have to be all A's ... to get things done sometimes!
Most real "artists" do not compromise ... it is their work. End of story. So, if Bapu is making the claim ... I'm ok with it!