craigb
In the days before the internet, musicians had to rely on those over-paid labels to promote their work (so less potential). Back then, many people would "copy" their music onto cassettes for their friends but, since this took some effort, this wasn't that big of a deal to the overall record sales.
Now musicians can get FAR more exposure thanks to the internet (more potential), but it's now even easier to get a copy of the work.
Sounds like nothing has really changed except for the scale (and there's more stuff out there to experience).
Well, you had to know someone who owned the album. For someone like me, in a small town of 11 000 souls, you can imagine that the number of people I knew and w/ whom I shared musical interest was ridiculously low.
In many case, I'd buy one album, you'd buy the next and so on, and we'd made tape for each others. Freeloaders who didn't have anything to trade were often excluded. But pretty much everybody I knew actually wanted to own originals too.
If I grew up in that same town today, I'd have a pool of anonymous resources of millions of people to start my collection. Somebody out there has it for you to take, often conveniently packed as a single file containing the entire artist discography.
Worth mentioning that, in many countries, a portion of the $ coming from the sale of blank cassettes was injected back in the industry. It was the case in Canada. However, w/ the advent of MP3 players and such, no adjustments were made, so that's a direct lost right there. May seem trivial, but I've seen the numbers, and it has a very real impact. And once again in that case, it's not the suits upstairs who'll be negatively impacted first.
Same for airplay vs royalties. Since corporations have taken over, almost every radio station has been assimilated as a part of one of the two or three main networks, competing against each other. So in short, if network A plays your song, you most likely won't get any royalties from network B and C, and your exposure will be limited to the audience of that particular network. And you won't go on that particular popular TV show to sing your song because the competition owns that station.
And obviously, the heads of those networks do have direct influence over the artist's music.
That's what happens when the same people own the papers, the radio stations, the TV stations and the record labels...