Alright Cakewalkers!
My voice gravitates around an A note most of the time , so I thought how can I accommodate that with different flavours of suitable chords.
I approached it in a logical-ish fashion starting with A as the root note, then A as the minor second, major second and so on. I marked the more realistic choices/combinations in
bold. Here's a quick list of the results.
A as Perfect 1st =
Any A chord A as minor 2nd = No chords
A as Major 2nd = Gadd9
A as minor 3rd =
F#m A as Major 3rd =
F, Fmaj7 A as Perfect 4th = Esus4, E7sus4
A as Tritone = Ebdim7
A as Perfect 5th =
Lots of D chords A as minor 6th = Dbaug
A as Major 6th = Cdim7, C6
A as minor 7th =
B7, Baug7, Bm11
A as Major 7th =
Bbmaj7 (great mellow combination when played as a barre on the 6th fret)
I think that there are around about 150 chords in all, but they fit nicely into the above interval categories so as not to become too overwhelmed with too much theory.
Who said singing monotone would be boring : )
Cheers
Edited addition Disclaimer
I was looking at different ways to start a chord progression. I'm not suggesting that anyone should only use the above chords in a piece where a melody line would start with an A note.
Phew!