Jeff Evans
The synths in Logic also all sound the same except for the ESX24. They all have a thinner cold digital sound to them. Not so in other DAW's.
That's one I failed to address, because, coming from someone who's a big fan of Studio One, it's probably the most unbelievable complaint.
W/ the exception of Presence, synths aren't one of the selling point in S1. Below average for most as far as I'm concerned. Though the guitar player that I am digs Presence a lot because, well, it's not your typical synth.
But in Logic? Agreed, you have a few cut down versions of the bigger synths like ES-Poly and ES-Mono, EFM-1... and they sound somewhat like their big brothers. But that's the point. I only find this useful. If I want a simple FM-type of bass line, I can easily get it w/o having to load the full synths (ES-1 and 2). I call this optimization.
As for the rest - a very good B3/organ emulation, a pretty awesome clavinet, an electric piano that's still one of the best out there imho, a drum machine/sampler with an integrated step sequencer + advanced synthesis and fx, Sculpture for physical modeling, ES-1 and ES-2 for good old analogue synthesis, a Vocoder synth, etc...
Yes, a lot of them sound "clean" - but it's rather easy to add some dirt - and I'd rather have to do that than the opposite. An old trick - just add Logic's delay and bypass the delay, and enable tape distortion... Add a bit of compression, using the bundled compressor, which is still, by far, the best/most versatile compressor I own. ;) Voilà.