I think different VST software and sample library creators have different goals. Some produce sounds that are like plain live recordings and leave the effect works to the composer, some aim at more edited/production ready sounds.
Hmmm...I don't regard LPF a bass
reducing filter, actually, already the name states that it lets the low end pass (without blocking it). IMO, it leaves (with almost any average kick settings) the most hard-to-controll, boomy low end on the track, and eliminates the more easily controllable area, that gives kick drum the thuddy, firm body. LPF can be used as an element in controlling sub-bass, but that's another story.
AFAIK, most often the character of the kick is between 45-70 Hz (body) and around 700-800 Hz (click).
In the Addictive Drums kits that I use most I usually put a HPF at around 45 Hz, a gentle, narrow boost somewhere between 55-70 Hz and a little narrow boost around 800 Hz. I use mostly only "natural" sounds, though.
Your mentiong the boomyness reminds me of myself starting with drum VSTs: It was an ahaa-experience to notice that the VST behaved in realistic way depending on whether I leave the kick drum key pressed or release it immediately. Holding the key down gave a thuddy sound just like when the kick drum mallet is held against the drum head to suffocate the boomy reverberation.