batsbrew
he's an MIT grad.
i'm sure he figured it out pretty quick.
seems you have an axe to grind over for scholz for some reason......?
No, no axe to grind, it's just that, well, their original releases were greatly lacking in sound quality, and yet he portrays himself as this all wise and knowing audio engineer. I'm sure he's a nice guy with good intentions, but he really comes off like a douche in this article.
For example ... "Every nut and bolt came out of those songs. We tweaked all of the things that couldn't be done with the mixes in the '70s." <--- I mean, I dunno ... Dark Side Of The Moon came out in '73, that sounded pretty darn good. Countless other albums sounded good ... he just had to do this now because he did a lot of it in his basement at the time and it just didn't sound good.
I always though Boston's albums were sub par compared to other releases of the day ... then I read about how they were recorded, the sticky tape, overdubbing drums because they didn't record right, slowing down reel to reel tape by hand to line tracks up, and all that, and it all suddenly made sense as to why they sounded like crap to me.
And didn't they get sued at one point by their record company for plagiarizing themselves with their second album? I seem to remember reading something about that a long time ago ... can't find it on the net now.
Not a big deal, some of the songs were good enough to overlook the bad recordings, we used to do Amanda live.