It is accepted that playing a D in a C chord is a "second", but a C ninth chord uses the flattened 7th to take the D note into the next octave, i.e. C-E-G-Bb-D is a ninth. This gives the chord a more altered (jazzy?) sound. You may omit any notes apart from the Bb, otherwise it's just a C second with a different voicing.
Tim, a flattened C13th would be played C-E-G-Bb-D-F-Ab. The D and the F can be, and often are, omitted, but the Bb must be played otherwise if you play C-E-G-Ab, it's just a flattened 6th and has its own sound. As soon as you add the Bb it takes the Ab to into the second octave and becomes a 13th. You can play these notes wherever, and in whatever position you choose, that's just voicing.
This is the progression,
C D E F G A Bb B C D E F G A Bb B C
1 2 3 4 5 6 b7 7 8 9 11 13 15
You can see that in order to create the higher numbered chords you must add the Bb in the first octave. In theory, you add the notes in major or minor thirds from the Bb, to get the higher numbers. It is also not unusual to omit notes you don't need. i.e. a C15 is C-E-G-Bb-D-F-A-B, but you leave out the D, F and/or A depending on the sound you prefer.
Good luck
How are you progressing Sharke, have you made any progress?
I honestly can't think of any shortcuts to this process, I still think it's easier to learn this stuff on a keyboard as you can visualise everything a bit easier because it's all in a straight line and you have the black and white notes as points of reference.
I think you may have answered your own question when you said you learned the recorder early in life and it taught you to read, it's something you "learned" and will always be with you. Learning notes is just the same process.