davdud,
gates and comps use some of the same terminology, but are opposite. A Compressor compresses the dBs between the lowest and loudest sounds on the track being affected. That is why they usually have make-up gain, so you squash the top of the signal and raise the lower level sounds. It makes it easier to place a track, volume-wise, in your song so it doesn't overwhelm the rest of the tracks or dissappear underneath.
A gate doesn't affect the top level, but cuts off the sound below the threshold. So that noise, for example, is cut off when the guitar sound dies out.
Warm is a loose term. If you were around when digital started, you know what warm means as opposed to digital. BT (and other saturation software) tries to mimic the sound softening inherent in transfomer-based electronics and tape. Both of those have a natural compression effect and sound different as you drive them harder. Not a harsh cutoff like digital as you go over into distortion, analog "changes" before it distorts. Most modern digital sounds pretty clean and precise and upfront. BT stuff softens the precise angles in the sound. MOre modern digital effects also respond more naturally to drive, like the softube stuff. But BT is still good to differentiate tracks. If you like it, use it, just be aware that it is easy to overdue BT, so the song can start to sound hazy.
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